During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...
Hanna is a girl completely abandoned to herself, is not at all inhibited sexually, and is attracted to the attention of unscrupulous people like Miguel, who takes advantage of Hanna, turning her to prostitution to obtain her drug fix. Until she meets Alex, a young man with a sincere affection for Hanna.
The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
When the deranged emperor Caligula falls for an insatiable gladiatrix, their reign launches a mind-bending bacchanal of torture, sodomy, incest, castration, and aroused livestock.
Sister Virginia de Leyva becomes the new Mother Superior at the convent of Monza. Said convent turns out to be a veritable hotbed of sinful carnality and depravity. Debauched priest Don Arrigone and lecherous womanizer Giampaolo Osio plot to seduce sister Virginia. But will their wicked and lustful actions continue to go unnoticed?
Bruno Mattei's follow up to Libidomania with more perversity and violence from around the world.
Emanuelle hosts this peculiar sexploitation Mondo film that looks at several examples of bizarre sexual behavior.
The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.