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Faouzi Bensaïdi, born 14 March 1967, is a Moroccan film director, actor, screenwriter and artist.
His film A THOUSAND MONTHS (2003) was screened in the Un Certain Regard section at the 2003 Cannes Film Festival.
In 2007 and 2009 he has taken part in the Arts in Marrakech Festival showing and discussing his films and installations.
In 2011, his film DEATH FOR SALE premiered at the Toronto International Film Festival.
The film was selected as the Moroccan entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist.
Malik and his father Mehdi live in a funfair where they work as handymen. Mehdi gives his son five special paintings. Curious Malik is dazzled by the beauty of these works. The next day, the two accidentally find themselves in the middle of a political rally. Mehdi is brutalized in front of Malik by two cops who accuse him of propaganda against the government. Later that night, the police burst into the funfair and arrested Mehdi. Shocked, Malik begins searching for his father with the help of the other showmen, finding answers in the paintings his father left behind.
Longtime friends, Mehdi and Hamid, work for a collection agency. They crisscross the villages of southern Morocco in their old car and share double rooms in shabby hotels. They are exactly the same size, and wear the same suits and ties, as well as the same shoes. Paid nearly nothing, they try to play hard to make good figures. One day, in a gas station planted in the middle of the desert, a motorcycle parks in front of them. A man is handcuffed to the luggage rack, threatening. It’s the Evader. Their meeting marks the beginning of an unforeseen and mystical journey.
Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.
Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.
Volubilis is a tale of love in a world of despair, of beauty among the ruins. In the Moroccan city of Meknès, recently married Abdelkader and Malika struggle to make ends meet. They dream of leaving the family house and finally starting a life of their own together. But one day at work, Abdelkader gets mixed up in a violent incident that will turn their lives upside down.
Football seen through the eyes of some of the best directors of the world.
Tangier. Dounia decides to sell on the black market the antiques uncovered on the building site she manages. She hopes to raise enough money to be able to leave Morocco with her son, who she hardly ever sees since her divorce. The death of a worker disrupts her plan...
Casablanca, a city of contrasts, modern and traditional. Kamel is a murderer for hire who receives his encrypted assignments online. After his executions, he usually calls Souad, an occasional prostitute. But the phone is always answered by her friend Kenza, traffic officer and responsible for the largest roundabout in the city. Kamel soon falls in love with that voice and begins to seek her. Meanwhile, Hicham, a computer hacker, who dreams of emigrating to Europe, is infiltrated by chance in Kamel plans ...
Serge is a long distance lorry driver between Morocco andEurope. In Tangier, he tries to reconcile with his former girlfriend, Sarah. She has refused to have anything to do with him since her mother’s death and intends to join her brother in Canada. Serge appeals to Sarah’s protector, a young Arab named Saïd, to allow him to meet up with Sarah, promising in return to smuggle Saïd into Europe...