Aysun is a director in her late twenties. While casting the film she is preparing to shoot, a cargo arrives from her sister Arzu, who lives abroad. Arzu sent a letter and a cassette containing camera recordings taken by Aysun when she was twelve. The footage features her family's car ride. This event that Aysun experienced in her childhood is also the subject of the movie she is about to shoot.
S. who is a young man in mid-twenties thinks he has a heart attack and will die. His mother and father take him to the hospital. However, they do not think that S. has a heart attack and, they do not care about his condition. In the hospital, S. will try to explain to his parents and doctors how his condition is serious.
A groom kissed in front of a wedding room with a bride who had met and fell in love for years. Both of them are on the same day of marriage, while others in the same building are married in different halls. Things do not go as expected, of course. The two weddings enter each other, the secrets emerge.
36-year-old Alis starts living in his car after his father kicks him out of the house. He shaves on the street, eats the food his mother brings over to his car, and applies to job adverts that his mother marks in the newspaper for him. After a series of rejections, he finds himself working door-to-door marketing Karnaval brand carpet cleaners. An unusual bond forms between Alis and "Karnaval". Karnaval even moves in with Alis occupying the front seat of his car. In this new adventure of his, Alis meets a wedding cake-maker named Demet. She lives with her father ever since her mother's death, and dreams of hopping on her motorbike and moving to Istanbul where she would open up a bakery shop
A trio of Turkish brothers immigrants find themselves torn between two lands and cultures, with roots in neither.
While fathers usually guide their sons through life crises, things go the other way around in this independent comedy-drama from Turkey. Adnan (Reha Özcan) has been a widower for nearly five years, but he acts as if his wife passed only a few weeks ago; he's been trapped in a deep funk for years and has become emotionally unavailable to his teenage son Burak (Kamer Celenk). Adnan doesn't fare much better with the rest of the world, and a long series of screw-ups leads to him losing his job as a parking lot attendant and being named in a lawsuit. While Burak has already moved out of the house and is living with sympathetic relatives, he decides he needs his father back and sets out to free Adnan from his doldrums, though that's more easily said than done