Germany, 1890: Having just gotten his high-school diploma, Hans leaves for Heidelberg to begin his university studies. But first, he wants to visit his uncle, Pastor Hoppe, in the small village of Rosenau. It's here that he again meets his cousin and childhood friend Annie. Annie is the illegitimate child of Pastor Hoppe's sister, who's left the upbringing of her offspring to the man-of-the-cloth. Conservative chaplain Schigorski continually tries to convince Annie to join the nearby cloister and thus "atone" for the sins of her mother. And it's getting more difficult for the fun-loving girl to escape the chaplain's harrassment. When Hans arrives, old feelings of lust come back to the surface.
Mabel is a successful pilot who hates sensational media, but falls in love with Jack, a womanizer journalist with conservative views on gender. When the two of them get married, they make a deal: Mabel will cease to fly as long as Jack doesn't interview any more women. But how long can they keep their pact?
A Czarist courier has to get across the Siberia frontier, threatened by Tartar invaders and a treacherous Russian helping them. Strogoff encounters several colorful characters along the way. German language version of the French film Michel Strogoff, adapting the novel by Jules Verne.
Aspiring singer Susanne takes over one night for her sick friend, a small-time female impersonator, and finds unexpected fame when everyone believes that she is actually a man. While touring London, complications arise as a local womanizer catches on to her game.
The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…
Out of unlikely circumstances an underground ticket vending girl and a mail pilot fall in love.
Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.
In the very old-fashioned town of Ostend suddenly 13 suitcases are delivered to the hotel, with a note, that O.F. will be here soon and needs 6 rooms (the hotel just has five). This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is. Journalist Stix and architect Stark have an idea how to use this event. They proclaim, that O.F. is a former citizen of the town, who became a millionaire abroad. They tell their fellow citizens that the town still needs modernisation, like better hotels, nightclubs, shops, etc. And soon, Ostend is a boomtown, then a capital. The architect, responsible for the new buildings is finaly allowed to marry the mayor's daughter, while Stix marries the cabaret star and the widowed mayor his new secretary. The only problem is, O.F. hasn't shown up, while finance experts from all over the world are trying to solve the depression problem.
The fate of a French aristocrat is revealed in this historical costume drama, who, in 1792, finds herself confronted with the choice of either standing with her peers or becoming a revolutionary.
If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.