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Eric Andersen
E.C. Andersen
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Part documentary part concert film part...Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese 2019
Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.
Chuck Peterson is a young slacker...The Big Sleaze 2010
Chuck Peterson is a young slacker with big dreams. Disowned by his family and ignored by his peers, he diligently pursues his dreams of writing a fantastic children's book to become famous and strike it rich. But due to a bipolar disorder and lack of creative talent, he slums his way through life relying on small time scams to keep himself afloat. When his gangster roommate makes him an offer he can't refuse, Chuck immediately takes the chance to clear himself of all his debts. But things go from bad to worse when the plan makes Chuck a prime murder suspect among a plethora of pornographers and terrorists!
A group of Californians experience loss...Hierarchy 2009
A group of Californians experience loss, despair and desperation over the course of seven days before Christmas. A boxing underdog must face the truth about his uncertain future, a blocked novelist struggles to create a new work admist a suspicious movie proposal, and an engineer with a secret must sell his business plans before it puts his marriage and career in serious jeopardy. With a self-imposed, mounting pressure, their actions and decisions push them deeper into a void of self-doubt and misery leading to one last hope to start fresh again.
After the fifth war the crime...Xenobites 2008
After the fifth war, the crime rate rises over five hundred percent. Law enforcement is replaced by xenobites: psychotic demons that execute justice in deadly ways. Icarus Van Clader, a private investigator and former criminal in the underworld, is hired to retrieve a mysterious tape that puts him at war with xenobites and the Yakuza.
The films were made between 1964 and 1966...Andy Warhol Screen Tests 1965
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
