After saving the life of their heir apparent, tenacious loner Snake Eyes is welcomed into an ancient Japanese clan called the Arashikage where he is taught the ways of the ninja warrior. But, when secrets from his past are revealed, Snake Eyes' honor and allegiance will be tested – even if that means losing the trust of those closest to him.
In pre-WWII Vancouver, second-generation Japanese immigrants had it tough. Daily, they faced discrimination, hatred and injustice at the hands of their Caucasian counterparts. But one thing made their lives worth living: baseball. They may be the underdogs, but the Vancouver Asahi baseball team have a sense of fair play and smart tactics that set them apart from the brute force of their opponents. Under the guidance of new team captain Reggie Kasahara, can they be able to rise above all the negativity to win the tournament? This film is based on the true story of Vancouver Asahi, the Japanese-Canadian baseball team that was inducted into The Canadian Baseball Hall of Fame in 2003.
Kenji, abandoned by his mother, scrapes out a meager existence doing odd jobs including driving bar hostesses and their customers home. Besides this he takes care of the sister of an old friend in jail and a young illegal immigrant. Eventually his life reaches a turning point.
Two kids, fourteen-year-old Eriko and her thirteen-year-old brother Daigo, suddenly find themselves trapped in a parallel universe. Most things are the same as in their own world, but their parents are missing from home and are only contactable when using one particular phonecard.
Commencing well-respected Nippon director Kazuo Kuroki's sixth decade behind the camera, "A Boy's Summer in 1945" (literally "A Beautiful Summer in Kirishima") is a lyric, novelistic drama set in the countryside in the last days before Japan's surrender ending WWII. Striking a welcome retro note in its languid pacing and delicate handling of seriocomic ensemble threads, handsome production is a natural for fests. It might also prove a cornerstone for retrospectives or ancillary releases of works by a helmer ("Preparation of the Festival," "Ronin-gai") who's long been appreciated at home but has won just limited attention abroad.
Takashi and four of his classmates, fourth-grade students, cannot succeed in doing a back pullover around a horizontal bar. Their gym teacher warns them: they have one week to succeed; if they resign now, then, tomorrow, facing life difficulties, they will always run away and become bums.
Approached by a friend about a matchmaking arrangement, Su-san goes to Hama-chan's home seeking help. Hama-chan is away on a business trip, but Michiko entertains Su-san late into the night. When he gets drunk and ends up spending the night, Hama-chan, begins to question his boss's relationship with Michiko.
Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.
Kato is a small time TV producer. He has a wife Masako, and a young son Taro. Kato also has a friend Yamazaki who he knew since college. Yamazaki has a girl friend Riko who lives with her younger sister Yuko who's an actress. Yamazaki is a lyric writer/womanizer and he starts to have an affair with Masako, but he's still going out with Riko.
A college student has an affair with a married, middle-aged teacher.
A young man living on growing tomatoes in a greenhouse in a residential area. Tomato cultivation is as doomed as his personal life where he tries to keep alive his romance with the eccentric Kaede and parents selected fiancee Ayako.