1981. Hubert Bonisseur de la Bath, aka OSS 117, is back. For this new mission – more delicate, more dangerous and more torrid than ever – he is forced to team up with a young new colleague, the promising OSS 1001.
12 year-old Adama lives in a remote village in West Africa, sheltered by the cliffs. Out beyond lies "the world of wind," the kingdom of wicked spirits hungry for war. When his elder brother Samba suddenly vanishes from the village, Adama decides to set off in search of him, crossing into a Europe in the grip of World War I.
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.
While Aya has dreams of becoming a doctor, her two best friends, Adjoua and Bintou, just like to hang out and spend their evenings dancing, drinking and flirting with boys. Their ambition is to follow Plan C: Combs, Clothes and Chasing Men! But big trouble comes to town when Adjoua realizes she’s pregnant, and the baby’s father is the spoiled son of one of the richest and most feared men in the whole country.
Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the turn of events, Adam is pressured into contributing to the Chadian war effort. With no money to speak of, the only asset he can donate is his son.
A genetically engineered assassin with deadly aim, known only as "Agent 47" eliminates strategic targets for a top-secret organization. But when he's double-crossed, the hunter becomes the prey as 47 finds himself in a life-or-death game of international intrigue.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Best friends Majolie and Chouchou are two beautiful young women trying to get ahead in a near-future Cameroon. After accidentally killing a powerful politician during sex, the two come up with a plot to dispose of the body, and get into the glamorous wakes that have taken over the local nightlife.
Antoine is a social wannabe who drops an elusive aristocrat's name to get into an exclusive party. The name - Jordan - gets him whisked by two burly bodyguards into the office of the host, von Bulow, who won't accept Antoine's admission of lying, gives him $100,000, and promises $900,000 more when led to Jordan. Enticed by the money, Antoine, with the help of his friend Étienne, begins his search. He follows trails through Paris's night scene, gets beaten up and bitten, and meets Jordan's sister, Violaine. After a surreal night, he's hooked on her charms but leery of continuing his pursuit of Jordan. Von Bulow insists. Can he find Jordan, get his reward, and attract Violaine?
After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.
Outwardly a chilling portrait of the aimless lives of unemployed inner city youths living on society's fringe, the underlying message of this volatile drama seems to call for violence to rectify social injustices. The film centers on two teenaged gangs who basically terrorize their neighborhoods with their anarchic behavior. There are few limits to their unpleasant philosophy of "desire equals acquisition." The loosely structured tale reaches its climax at a concert where the two rival groups collide.