A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.
Farcial action fun with Bertil and Hugo, who do menial jobs at a big city hotel. Bertil is about to marry and has put money aside for his bride's morning gift. Only Hugo has kind of borrowed the money and blown it all on a wrong bet in a pigeon race. Together, they obviously have to get rich quick. When a diamond seems to be lying around for the taking, the hotel is virtually on its head.
Nikolaj Christensen is a popular Danish folk-rock artist. In this teen-oriented film, Christian (Christensen) is a young man in search of love, who restlessly leaves his home in Denmark to search for it all over Europe, finally finding some semblance of it in Morocco. This slight film is directed by Gabriel Axel, who also directed Babette's Feast. It is likeliest to be of interest to fans of the star and his music, which is used throughout.
FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...
A comedy about the everydaylife of the 30-year-old something nurse Henriette and her life. Her boyfriend is boring and she has an affair with a violent doctor. She shares an apartment with a gay man and she is close with her brother who is a somewhat insecure and love-seeking guy. However, after some unfortunate clashes with the world, Henriette realizes she is able to stand on her own.
I en lille 2-værelses baggårdslejlighed, på Vesterbro i København, bor den 14 årige Ester (Sofie Gråbøl) sammen med faderen (Torben Jensen), moderen (Vigga Bro) og storebroderen Carl (Carl Quist Møller). Det er tidens typiske arbejderkvarter og lejligheden er uden nogen form for moderne bekvemmeligheder. Koks skal hentes i en mørk kælder, hvor hjemløse har søgt ly og logi for natten. Ester er en drømmer. Hendes ønske er at blive forfatter og hun skriver digte i det skjulte. Hun glemmer ofte tid og sted, når hendes tanker går på langfart.
Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.
The town's wealthy benefactor dies, and leaves a bizarre bequest: unless one of the self-righteous citizens can produce an illegitimate child in 9 1/2 months, all his money goes to homeless cats, and they must start paying taxes.
Newly married to a sexually perverted German millionaire, Siv submits herself to endless degradation before discovering that her husband harbors a diabolical secret.
Three girls (around 20 years old) who have grown up in different parts of Denmark get a strange letter. It turns out they are sisters, and will inherit from their late mother, if the can stay together one month in the same house. They end up in a lot of (romantic) trouble, because of speculations of who their father(s) might be.