The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)
Factory owner Pardon, meets Olga, daughter of clairvoyant Stefanie Lesczynska at a ball. Their brief acquaintance is interrupted when Olga and her mother have to leave. Fifi Hrazánková has her sights set on the elligible Pardon. Pardon asks his Uncle Cyril Ponděliček if the girl could take over his position at work so that she may be dissuaded of her amorous intentions. Fifi seduces Pondělíček. In the meantime, Pardon meets Olga and Stefanie again by chance and offers them a place to stay at Ponděliček’s while Pondělíček passes himself off as Pardon.
A lyrical tale of the pure, vernal romance between a diffident, somewhat naive girl from a rural backwater and a fairly dissolute, but kind-hearted law student from Prague.
The film depicts the adventures of Kacenka (Zdena Kavková) and Vincek (Vlasta Burian), two innocent country bumpkins who live in a Czech small town, and the various jobs that Kacenka has once she moves to Prague, that beautiful capital city. Our heroine will have to bear difficult working conditions and to make things worse, she falls in love with a fake aristocrat. Fortunately her companion, Vincek who is also in Prague, has an unrequited love for her. Though he is the cause of many Kacenka's problems, Vincek finally will help and resolve her loves troubles. And of course there is a happy ending that brings the Czech couple together.