Tina (28) lives in what appears to be an idyllic marriage in town on the Adriatic coast. She is a housewife who takes care of their six-year-old daughter, while her husband Frane (32) provides for the family. Their relationship begins to change when Tina expresses her desire to complete the college education she had to abandon due to pregnancy. Despite initially consenting and supporting her, Frane starts showing disapproval, initially through minor acts of sabotage. Over time, conflicts become more frequent, and arguments turn increasingly violent.
Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.
A biographical film about director Bahrudin 'Bato' Čengić and his contribution to Bosnian cinematography.
Luna is a modern and laid-back girl who lives in Sarajevo and is getting married to her longtime boyfriend Haris. Martina is a young homosexual on the run from Italy and her monotonous life. Finding herself in a moment of personal crisis, she arrives in Sarajevo in search of herself. The meeting with Martina will represent a crucial turning point for Luna: he falls in love with the girl and begins a secret relationship with her, all without the knowledge of her boyfriend who is convinced that Luna will soon become his wife.
In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.
On the day before Easter 2012, the bodies of four teenagers were found by the edge of a lake just outside Skopje. The bodies had been lined up, each with a bullet hole in their head. The boys had been on a fishing trip. The nation was shocked. Rumours run wild. It is a film about a country where life can come to a sudden end without cause or explanation.
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.