El hombre de la deuda externa 1987

A middle-class man earns a millionaire fortune that he decides to use to pay Argentina's foreign debt.

La Invitación 1982

Pedro and Pablo 1973

In the favelas of Rio de Janeiro, the work of two young priests.

Compasso de Espera 1973

Jorge de Oliveira is an Afro-Brazilian poet who works in a publicity agency in São Paulo. Torn between his rich white lovers and his black family and friends, Jorge's situation serves as a springboard to a discussion about racial issues in Brazil.

Delito 1962

A police officer joins a gang of smugglers to try to unmask its members.

Los hampones 1961

A woman robs the authoritarian boss of a criminal gang and then falls in love with a buddy.

Un guapo del 900 1960

The moral conflicts of a conservative politician, his wife and a bully, in the Buenos Aires of the early twentieth century.

Dagli Appennini alle Ande 1959

A young boy travels by himself to reach his sick mother.

In Burning Darkness 1959

In an institution for the blind, a man rails against his misfortune, his energy and thinking distorted by a need to fight his blindness. Unhappy and unable to come to grips with his condition, he stirs a sympathetic chord in another blind inmate. She in turn, slowly enters into a relationship with him that starts to transform the ways he perceives himself and his blindness.

Oro bajo 1956

The life of the tenants of a Buenos Aires tenement during the interwar period.

El curandero 1955

A doctor arrives in a small, provincial town, and must pass himself off as a healer to gain the trust of its inhabitants.

Gray neighborhood 1954

The film refers to the "gray neighborhoods", called in Argentina "villas miseria", in which the less qualified workers or those who have recently arrived from the rural areas live in the industrial cordons.