atau dikenal sebagai
The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.
Dante is an old gay activist who refuses to retire. Facing the inevitable end of his existence, he decides to fulfill his old plans of opening the first LGBTQIA+ Elderly Home in Brazil, ignoring the advice of his great friend, Francisca, who argues that they no longer need to care.
Alice, married for the last 20 years to a taxi driver, works in a beauty parlour, has three children, the eldest of whom is doing his military service, and a mother who works as a maid in her house. None of the three siblings pay much attention to their mother, and they treat their grandmother with lack of respect. Alice's life in the female working world contrasts strongly with the powerful masculine presence in her home. Although she's a good girl, the chance to betray uncovers other betrayals she didn't know existed.
While filming a TV special about dolphins in Mexico, Eliana meets a biologist who warns her of an ecological danger, since the greedy Esquivel has stolen a crystal skull from the deep waters of the ocean. That's the start of a great adventure and a romance with the dolphin trainer.
After 20 years of exile in Paris, Gustavo returns to his native city São Paulo. Back home, he encounters a place which no longer exists. His old friends and family members have changed, almost beyond recognition. He tries to recapture the past, and make some sense of his life, that of his friends and family, and the present state of his native country.
A journalist is placed upon the management of a large broadcasting company to the capital of Brazil at the time of local elections. She must now face ideological and ethical questions, brought back by a left-wing former boyfriend and her own colleagues. At the same time, a free-lancer spy is sent by an obscure figure in politics to manipulate the elections and its media coverage.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
While in a rock party, Samu and his friends realize they are being watched.