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From Wikipedia
Edythe Chapman (October 8, 1863 - October 15, 1948), was an American stage and silent film actress from Rochester, New York.
As early as 1898 she appeared in New York, New York in the Charity Ball.
Edythe performed at the Shubert Theater in Brooklyn, New York in a production of The Light Eternal in 1907.
Mrs.
Chapman played maternal roles in numerous silent motion pictures and became known in the 1920s as Hollywood's Mother.
She played Ma Jones in the film version of Lightnin' (1925), a screen production which featured Will Rogers.
Edythe was Grandmother Janeway in Man Crazy (1927).
Miss Chapman came to Hollywood around 1909 with her husband, screen and stage actor, James Neill.
The couple met in Cincinnati, Ohio when Miss Chapman was working in Mr.
Neill's stock company.
They were married in 1897.
The two began making movies with Cecil B.
Demille and other noteworthy directors and producers.
They had leading roles in The Ten Commandments (1923), Manslaughter (1922), The Little American (1917), and other silent motion pictures.
Mr.
Neill died in 1931.
The final movie in which Edythe appeared was Double Crossroads in 1930.
Prior to this, she had a large role in Navy Blues (1929).
Edythe Chapman Neill died in Glendale, California in 1948 after a brief illness.
On shore leave, a young sailor meets and falls in love with a pretty young blonde. He goes home with her to meet her parents, but they don't approve of him at all. Their daughter takes offense at this, and in the ensuing argument she storms out of the house determined to live on her own.
A young woman impulsively marries a young playwright who whisks her away to New York promises her a role in his next production. Unfortunately the production is a disaster and her husband proclaims her unfit for the role. Rather then return home in defeat, she stays in New York and accidentally gets involved with some vicious gangsters.
A young prince falls in love with a beautiful barmaid while at university in old Heidelberg.
Millicent Howard, whose appearance and persona bring her a life of luxury. A millionaire named Claverhouse asks her to marry, but she values love more than wealth, and she sacrifices everything for another man, who is less wealthy, Jerry Booth. A lost film.
To impress the girl he loves, a naive country boy tries to capture a group of local bootleggers.
Steve Tuttle, the titular lazybones, takes on the responsibility of raising a fatherless girl, causing a scandal in his small town. Many years later, having returned from World War I, he discovers that he loves the grown-up girl.
A war drama produced only 7 years after the end of World War I. Based on the play by Henry Wallace it chronicles two Englishmen, Dick Chappell (George O'Brien) and Roddy Dunton (Walter McGrail) at the dawn of The Great War. Both men are in love with the same woman, Violet Deering (Margaret Livingston). Chappell, whose proposal has been accepted by Violet, enlists for the war in Europe hoping to distinguish himself and make his fiancé proud of him.
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.
Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...
Though betrothed to fellow socialite Richard, Iris weds her chauffeur Tom leaving Richard to marry the family laundress' daughter Shamrock. Class differences lead to divorces and remarriages.
When Rachel Stetherill's daughter marries a man of whom she disapproves, Rachel disowns her. Five years later her daughter, now widowed, is killed. Her young son comes under the influence of a professional safecracker and is soon on his way to becoming a hardened criminal. Twenty yeas later the Stetherill family lawyer learns that the infamous thief known as Ladyfingers bears a striking resemblance to Rachel's husband--and has fallen in love with Enid, Mrs. Stetherill's young ward. Complications ensue.
When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...
Silent version of the Twain tale, filmed in Pleasanton, California. A Missouri boy (Jack Pickford) encounters his first love (Clara Horton) and bucks responsibilities to find adventure with his friend, Huck Finn (Robert Gordon).
A young American has her ship torpedoed by a German U-boat but makes it back to her ancestral home in France, where she witnesses German brutality firsthand.
This silent melodrama is set against the 1840s westward migration of the Mormons. Dora, a young woman, and her family are saved from an Indian attack by a Mormon community traveling to Utah. They join the wagon train. Dora is pursued by two men, one a recent convert, the other a scheming elder with a stable of wives. The Mormon elder wants her in his harem. When the mother kills herself from revulsion toward polygamy, the daughter must consider her own future and the man she loves. One of Mae Murray's few surviving films, this was intended by Robert Leonard to be a thoughtful drama about the goods and evils of Mormonism, but today it is generally considered pure anti-Mormon propaganda.