The Brass Bottle 1923

Horace Ventimore, a young London architect, stumbles across an old brass bottle. When he picks it up a genie suddenly appears and promises Horace that he will grant every wish Horace wants in exchange for his freedom. Horace accepts the genie's offer but finds out that things aren't working out quite as well as he thought they would.

Stepping Fast 1923

Mix is Grant Malvern, a rancher who befriends scientist Quentin Durant (Tom S. Guise) after rescuing him from a trio of Chinese crooks. The crooks want to find Durant's Arizona gold mine, and the map to the location is contained in a pair of rings. After the crooks track down Durant and kill him, one of the rings winds up with Durant's daughter, Helen (Adams), and the other falls into Malvern's hands.

Brass 1923

With her marriage on the verge of breaking up, a young wife attempts to win back the love of her husband and child.

The Young Rajah 1922

A young man raised in the American South discovers he is an Indian prince whose throne was taken by usurpers.

The Marriage of William Ashe 1921

The Saphead 1920

Nick Van Alstyne owns the Henrietta silver mine and is very rich and his son Bertie is naive and spoiled. His daughter Rose is married to shady investor Mark. Mark wrecks Bertie's wedding plans by making him take the blame for Mark's illegitimate daughter, and also nearly ruins the family business by selling off some stock at too low a price.

The Chorus Girl's Romance 1920

When, on a prank, shimmy dancer Marcia Meadows visits bookworm Horace Tarbox in his Yale dormitory, Horace falls madly in love and follows her to New York where he and Marcia marry. Denounced by his wealthy father, Horace attempts to support Marcia through his writing, but all his manuscripts are rejected, and he is fired from every job.

Mrs. Temple's Telegram 1920

Jack Temple (Washburn) adores his wife, Clara Temple (Hawley) but she is extremely jealous, and accuses him of flirting with a pretty woman in a department store tearoom. After Clara leaves, the woman follows Jack around the store even eventually onto the roof of the building and they are locked in by the night watchman and must remain on the roof all night. Jack realizes his wife will never believe this story, so he invents a yarn about visiting his friend John Brown (White) in a distant town. Clara suspects that story and contacts Brown, while Jack convinces a friend to impersonate Brown and come to his house, but the real Brown shows up too and things become complicated with the arrival of Mrs. Brown (Schaefer), the pretty young woman who caused all the trouble, but, after she introduces herself as one of Clara's cousins, all ends happily.

Pinto 1920

When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...

The Egg Crate Wallop 1919

Assistant to freight express agent Dave Haskell in the town of Pitt's Junction, Jim Kelly develops strong biceps lifting egg crates onto the daily train. Jim soon falls in love with Dave's lovely daughter Kitty, who, he worries, is interested in city slicker Perry Woods. When Woods steals $2,000 from the station safe, Jim, thinking that Dave took the money, confesses the crime and leaves for Chicago.

The Solitary Sin 1919

Bob, John, and Edward--three young boys growing up in the same neighborhood--have vastly-different experiences with sex. Bob's father patiently explains "the birds and the bees" to him, and even takes him to a hospital to see the effects of venereal disease.

The Delicious Little Devil 1919

A poor hat-check girl loses her job and is forced to get a job as a dancer at a roadhouse. There she falls in love with the son of a rich businessman. The boy's father, believing her to be after the family's money, determines to embarrass her and show his son what she really is.

The Amazing Impostor 1919

Rich young Joan Hope is ashamed of how her father made his money--as a chewing gum magnate. While taking a train trip, she meets the Countess of Crex, a member of the Russian nobility--who is, in reality, a jewel thief.

The Married Virgin 1918

In order to save her wealthy father from disgrace and a possible prison sentence, a daughter agrees to marry the gigolo who's been blackmailing him...

A Hoosier Romance 1918

Pretty Patience Thompson, a "girl with a singing soul," lives with her cold-hearted and avaricious father, Jeff Thompson, on their Indiana farm. Her life of drudgery is brightened by John, the hired hand, but when he asks for her hand in marriage, the old man flies into a rage and discharges him. Soon an aged but wealthy widower courts Patience, and although she still loves John, "Old Jeff" orders her to marry the widower, claiming that a father's will is the law.

Zollenstein 1917

Through negotiations with the neighboring monarch, the King of Zollenstein arranges for his son to marry the Princess of Saxonia, but later discovers that the prince already has wed Lady Maulfrey Le Fay in secret.

Sunny Jane 1917

Tomboy Jane Dwight’s father strikes oil on their farm and becomes smitten with young millionaire James Thornton when he comes to purchase the land. She heads off to a posh boarding school, returning a year later with fancy airs thinking it will impress James, but he preferred the original Jane. Will she realize in time to keep his interest?

Twin Kiddies 1916

In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.