Edith Carlmar (1911 – 2003) was Norway's first female director and a prominent figure in Norwegian film history. She created some of Norway's biggest box-office successes of all time. Agnes Moxnes interviews a frank and honest Carlmar, who talks about her movies and the times they were made. This DVD was released in 2011 in conjunction with the 100-year anniversary of Edith Carlmar's birth.
Gunder Jomann lives in the small place of Elvestad. He prepares to receive his wife, Poona Bai, who he met and married in India. Gunder gets delayed when his sister is injured in a car accident and he sends the local taxidriver to transport her to him at the hospital but the chauffeur do not find her. The following day the body of a foreign woman is found on a meadow, few meters from Gunders house. Inspector Konrad Sejer tries to unravel the mystery and discoveres soon that the dead person is Gunder's wife, Poona. Who killed her, and why?
Lina is in her best age, mid-30s. She is strong-willed, resilient and self-conscious. There has never been a man in her life, on the contrary, she even had to play the man's role on the small farm to sustain herself and the parents. But the quest for true love and longing for a man is still strong. She has never had the opportunity to realize this dream in the confined environment she lives in. Her obstinacy has also scared off the men. But one day Gilbert returned to the village after being in America for 20 years.
This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.
A man falls in love with his young French language teacher. It becomes a complicated love story when his class mate Karin also begins to fancy her.
The working-class family Bråten is living in a top floor of a tenement house on the outskirts of Oslo. The family includes three sons and two daughters, mother and father in one room and kitchen. Mother Hulda is the family hub while Mr.Bråten itself is a silent and withdrawn worker. Children contribute in their own way to the neighbors are right when they exclaim: Never anything but trouble! There are problems for all when the police come into the picture after the one his son is participating in a car theft. Middle of all this chaos, 16-year-old Maiken (Vigdis Røising) moves out and seek questionable friends, which brings her into conflict with his father. A tragedy brings the family together again.
The young wife of an upper-class academic disappears while her husband is on holiday. In his search for her, the husband learns that there was much he did not know both about her past and about their relationship.
In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.
The story of a working man, who's got a gorgeous fiancée but who falls for a rich older woman – who turns out to be a femme fatale.
A conservative old bachelor buys an apartment previously owned by an artist who died suddenly. He has a weird feeling about the place from the start, and gets more and more obsessed by the previous owner's possessions and way of living. Finding some loveletters written by the deceased's mistress, Dott, gives him an irressistible urge to get to know her better.