Engineer Strebel′s apprentices think of nothing else but music and dancing, although they should really concentrate on their marks. Consequently, Strebel is anything but delighted with his pupil. To top it all, a TV show becomes interested in a performance by Strebel′s apprentices. To calm down their teacher, Jutta Fröhlich, who has already cast an eye on Strebel, makes him an offer: When they better their marks, Strebel would permit them to make a performance on television.
Unternehmen Teutonenschwert (Operation Teutonic Sword) (1958) is an East German documentary directed by Andrew and Annelie Thorndike. The film investigates the alleged involvement of NATO General Hans Speidel in the 1934 assassination of Yugoslav King Alexander I and French Foreign Minister Louis Barthou. Using archival footage and documents, it presents a critical examination of Speidel’s past and his post-war military career. Produced by DEFA, the film was controversial and banned in West Germany. It received the First Prize at the 1958 Karlovy Vary International Film Festival and the Heinrich Greif Prize, 1st Class, in East Germany.
Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.
Mid-1950s Berlin, before the building of the Wall. Uschi, a salesgirl and aspiring fashion model from the East, is attracted to Hans, from the West. But she also loves the bright shop windows in his part of the city. The flashiness of this new world soon evaporates, however, when Hans loses his job.
Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.