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Duygu Sağıroğlu (November 10, 1932, Trabzon - April 29, 2023, Istanbul) was a Turkish screenwriter , film director , theater set designer, art director and lecturer.
He started making sets at Küçük Sahne during his high school education.
His nickname in high school was Deli Mıgır.
After Galatasaray High School , he studied at Istanbul Technical University Faculty of Architecture.
In 1956, he started working as a set designer and graphic designer at Küçük Sahne .
He designed sets in theater for a long time.
He was among the founders of the Theater Association and Cep Theater .
He worked on designing theater sets in America, where he went with a Rockefeller scholarship.
When he returned to Turkey, he designed opera sets.
He started working in the field of cinema as an assistant in the film " Karacaoğlanın Kara Sevdası " directed by Atıf Yılmaz in 1959.
During this period, he worked as a set designer, art director and assistant director in many films.
Throughout his impressive acting career, Haldun Dormen inspired and encouraged his theater students to work hard and follow their dreams.
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
The story of love between a Turkish officer who went to the island during the Cyprus landing and a woman who is a native Turkish of Cyprus.
After his family is killed in front of his eyes, a little boy grows up to be the nightmare of Byzantine's Black Knighthood.
A blind panhandler girl as an idealist dreamer joins three cronies in a supper, after which the cronies decide to rob a rich man's villa to collect enough money for her to recover from blindness. But they'd never guessed what would happen when her eyes see the daylight.
Blinded because of Orhan, Ayse falls in love with Orhan, whose face she cannot see. However, Ayse's possibility to see will cause a dilemma for Orhan, who is afraid of losing her.
A genocide story that falters between a spoiled and rich girl and a poor girl.