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Dorothy Appleby (January 6, 1906 – August 9, 1990) was an American film actress.
She appeared in over 50 films between 1931 and 1943.
Appleby gained early acting experience as an understudy and a chorus member in plays in New York City.
A newspaper article reported that Appleby "came to New York fresh from winning a Maine beauty contest.
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Appleby was seen in many supporting roles, almost always in short subjects or low-budget feature films.
She never progressed to leading roles in important pictures because of her height, which made her difficult to cast The trim brunette stood just over five feet tall, and her early leading men (like comedian Charley Chase) towered over her.
She soon found steady if not prestigious work in Columbia Pictures' two-reel comedies.
She appeared frequently with The Three Stooges, who were only a few inches taller than she was, and in 1940 she became Buster Keaton's leading lady, for the same reason: her height complemented his.
She worked with Columbia comics Andy Clyde, El Brendel, and Hugh Herbert, and she had an uncredited part in John Ford's Stagecoach.
Some of her Stooge comedies were Loco Boy Makes Good, So Long Mr.
Chumps, and In the Sweet Pie and Pie.
One memorable appearance was as Mexican brunette Rosita in 1940's Cookoo Cavaliers.
In the film, Appleby gets clobbered by the Stooges when a facial "mud pack" made of cement dries on her face.
Her petite figure belied her age, and she continued to play "younger" roles into the 1940s.
One of her last screen roles was a one-line bit (playing a college co-ed at age 35) in the 1941 Jane Withers feature Small Town Deb.
A best-selling author of women's issues and a medical academic find it is to their mutual advantage to falsely claim that they are married.
The stooges are frontier guides leading a minstrel show west. When hostile Indians run the horses run off they are stranded. They must contend with a snow storm and a marauding bear as well the Indians. After almost killing each other ice fishing they solve their problems by rigging up a sail on the wagon and sailing west.
This is the story of the historic 1938 flight of Douglas 'Wrong Way' Corrigan. Mr. Corrigan starred in this film, which chronicled his infamous flight. On July 17, 1938, Mr. Corrigan loaded 320 gallons of gasoline (40 hours worth) into the tiny, single engine plane. While expressing his intent to fly west to Long Beach, CA, Mr. Corrigan flew out of Floyd Bennett Field heading east over the Atlantic. Instrumentation in the plane included two compasses (both malfunctioned) and a turn-and-bank indicator. The cabin door was held shut with baling wire. Nearly 29 hours later, he landed in Baldonnel near Dublin. He forever claimed to be surprised at arriving in Ireland rather than California. He returned to the US as a hero, with a ticker tape parade in New York and received numerous medals and awards.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
A starving, uncompromising artist and an heiress fall in love on first sight and immediately get married. She loves his outrageous behaviour, his strange room-mate and the best apartment poverty can buy.
A small railroad is being squeezed out of business by the tactics of a trucking company owned by gangsters.
Charlie's visit to Paris, ostensibly a vacation, is really a mission to investigate a bond-forgery racket. But his agent, apache dancer Nardi is killed before she can tell him much. The case, complicated by a false murder accusation for banker's daughter Yvette, climaxes with a strange journey through the Paris sewers.
A lawyer handing a divorce case discovers the attorney for the opposition is his ex-wife.
Columbia's King of the Wild Horses is a remake of the silent Hal Roach western feature of the same name -- and with the same "star," Rex the Wonder Horse, in the lead. Most of the story involves the romantic triangle between rogue stallion Rex, the gorgeous mare Lady, and villainous black steed Marquis.
Working girl Margie Evans has decided there are two kinds of opportunities for a slum kid during the Depression: Those you make and those you take. Determined to help her family out of its financial bind, she is ready to do both after she shows up at the penthouse pool bash of a wealthy playboy.