"THE WORST NIGHTMARE RESTS WHERE NOT EXPECTED" After being released from a mental institution, Milla is taken to her new home by her husband Gregor and their daughter Madleine. As they settle in the new house, Milla experiences a series of events, that may be supernatural or in her head. The key to this phenomenons are the holes in the wall, that keep constantly staring at her. Somehow she feels watched through the holes, that appear to breathe and replicate through the house - although Milla doesn't witness a ghost, she feels it. It tries to remind her of something long forgotten. As Milla's broken mind made her vulnerable and susceptible to whatever ghosts may haunt her house, it becomes more and more difficult, to say what is alive and what is an echo. In the end Milla finds out, that the ghosts are a manifestation of her pain, that has built the home she lives in.
Five toilets - five stories! This pitch black comedy relentlessly illuminates the darkest corners of society, thereby revealing a colorful potpourri of human perfidy. The five intertwined episodes are staged in the manner of an intimate play, occasionally testing the audiences moral judgment.
Anna Marek is looking forward to a break in her hectic life as a midwife and single mother of two daughters: for the first time in years, she will be taking the children on vacation. But then her neighbor Lukas rings the doorbell. He asks for Anna's help. His Chilean friend Maria went into labor unexpectedly. Anna can be persuaded to go to the clinic. She helps the baby into the world, quarrels with her mother, drives to Italy with her children. But the next morning Anna wakes up in her bed in Mainz and the chaos day seems to repeat itself.
Florist Valerie unwaveringly believes in the great love of her life, even though her friend Bea has just been divorced and tries to convince Valerie that this Prince Charming does not exist. One day an admirer sends Valerie two rare specimens of "Alpinia purpurata". But who is the sender of the floral greeting? Valerie sets out to find her ex-boyfriends.
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Oliver and the much older photographer Hendrik are a couple. A rather contrasting couple: Hendrik has already achieved a lot in his life and is considered an 'old hand' in his profession. Oliver, on the other hand, is only at the beginning of his career as a photographer and has retained a childlike naivety and playfulness in his life plans. Oliver and the young Silvia meet at a photo session. It is immediately clear to the ambitious Silvia that Oliver is her springboard to a modeling career. That same evening, Hendrik proposes to Oliver. But Oliver makes an almost unfulfillable condition: He wants a child! Hendrik is completely at a loss. What should he do? Then Silvia bursts into his house. All she really wants is to be photographed by Oliver. But things turn out differently...
Investment advisor Stefan Lohmann has defrauded master butcher Waldemar Pückler of five million euros. He therefore wants to travel to Munich to meet the 'cattle baroness' Lucia d'Alvarez and do business with her. Lohmann also travels to Munich to go into hiding. He meets Lucia and falls in love with her, but then has a momentous encounter with his victim.