Mira, a 60 year-old woman, appears to have a normal life. One morning she starts her day like any other, wakes up early, puts her family's clothes out to dry, purchases food for her fish and commits a bank robbery with a kitchen knife. She discovers her need for money is surpassed only by her need for love.
Three days in the life of fitness motivator Sylwia Zając, whose presence on social media has made her a celebrity. Although she has hundreds of thousands of followers, is surrounded by loyal employees and admired by acquaintances, she is looking for true intimacy.
When a heart breaks, the gap spreads along the weakest and most receptive parts of the enclosing world. ‘Fading Snow’ presents one night from the life of 35-year-old Mania who leaves her safe place – the theatre – and sets off to find her way back to home in a broken city of Warsaw.
After spending some time in a hospital, Ewa returns to her Polish village to work on a wild rose plantation. Her family situation gets increasingly complicated, however, as her husband returns home from abroad, while it is revealed that Ewa has had an affair with a high-school-aged boy. Meanwhile, her relationship with her two children is strained, in particular with the headstrong Marysia, who is approaching her first communion. As things pile up for Ewa, she starts to realize that the time has come to make some difficult decisions.
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
Afonia's husband is an ex-boxer, an ex-inmate of a Nazi concentration camp and almost ex-living person as he is paralyzed after an accident. Her daughter is already married. And although Afonia's name is Russian, she is Polish. The only thing both heroines share is love to another strong, handsome and addictive man. A Russian man.