Edgardo "Cacho" Pallero, as a person, will offer a glimpse into the era, the commitment of young people in the 1960s, their ideological and political stances; and, in Pallero's case, his filmmaking training, taking on the role of producer from his earliest days.
Few people in Argentine and Latin American cinema have been as close as Fernando Birri to stand as a patriarch, pioneer, and spokesman for a committed cinema that tears itself apart in its solidarity with its own surroundings. This ode to the tireless Birri presents him to us in full: teaching, establishing standards, and creating with the tools of his time, turning culture into a form of political affirmation as he grows more and more vital and rooted.
Buenos Aires, 1880. A journalist interviews Manuel Esteban Corvalán, one of the last living men who crossed the Andes in 1817 with José de San Martín, during the Argentinian and Chilean wars of independence, as one of his secretaries, when he was only 15 years old.
The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).
Based on the poetry of Alejandra Pizarnik, ”Vertigo, or contemplation of something that falls”, tells the story of the writer's life through stories from her family, friends and admirers.
This award-winning film by André Melançon -- set on a ranch on the pampas of Argentina -- tells the story of three children spending a summer with their grandfather. The youngest, Felipe, makes friends with a puppy; his older brother, Daniel, breaks and train his first horse; their 13-year-old sister, Laura, struggles with the transition between childhood and growing up. The kids find it difficult to adapt to their proud and stubborn grandfather, and he learns that he has to change his ways and try to understand them as they all experience the joys and sorrows of growing up and growing old. ~ Alice Duncan, Rovi
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.
A documentary short on the treatment of tuberculosis patients in Santa Fe, Argentina.
A year in the life of a samba school, from the first rehearsals to the parade on the avenue.