Djalma Limongi Batista (1947-2023) was an amazonian filmmaker based in São Paulo, where he directed much of his filmography from the 1960's to the 1990's.
He is considered to be the first brazilian director to ever depict gay intimacy in the short film "Um clássico, dois em casa, nenhum jogo fora" (1968).
Batista also worked as a university teacher, where he made himself key to the education of many of Brazil's young filmmakers of today.
This revealing documentary about the Brazilian sex symbol goes deep into her career as she pivoted from dancer to singer to adult film star.
Elisa is a journalist who becomes romantically involved with Hugo, a director of the company Jota Mineração, when she receives an order to write a story about the company. However, the relationship between the two begins to destabilize when the company that Hugo runs begins to extract gold from indigenous lands.
Image of a cinematic camera, described off by a female voice. Two students talk about film school. In a classroom, students stand up, one by one, attack and murder a classmate; the wallets fill up with corpses. A boy dances naked in front of a screen on which different images are projected. At the top of a platform, a man in a suit speaks to two naked young men who crawl across the floor. Two boys with clown makeup shed tears looking at the camera. Then they get in a car. Red spots explode and spread slowly across the screen.