When his grandmother Ella becomes increasingly confused and his grandfather Sönke simply doesn't want to part with his pub, the Dorfkrug, 47-year-old Ingwer Feddersen sees the time has come to return to his home village Brinkebüll. The village tavern isn't what it used to be - but that's also true for the whole village. Ingwer wonders when exactly was the point in time when the village of Brinkebüll went downhill? Was it in the 1970s when the hedges disappeared after the land consolidation and then the birds too? When larger and larger farms were built so that smaller ones had to give way? Is it perhaps his fault because he left his grandfather alone with gastronomy to study in Kiel? Based on Dörte Hansen's 2018 novel of the same name.
Nine-year-old Max moves to Geroldseck Castle, together with his mother, who takes up a position as a geriatric nurse there. Apparently a shrewd thief is up to mischief here. His mother is suspected, she is threatened with dismissal. Therefore, together with the three residents of the old people's home at table no. 7, Max does everything possible to convict the real perpetrator.
In the young Federal Republic of Germany, which in the late 1950s in politics and justice is still interspersed with only superficially purified Nazi cliques, leads the Hessian Attorney General Fritz Bauer a lonely fight against the coverup of Nazi crimes and the restorative policy of the government Adenauer - he is firmly convinced that only in this way can the young democracy be consolidated. Not only his attitude, but also his temperament make Bauer vulnerable, again and again resistance forms from politics, intelligence services and the judiciary against the lone fighter.
Victor is both thrilled and mystified when his family moves into his grand-uncles somber mansion filled with African masks, taxidermy crocodile mounts - and a dark secret: Four decades ago, his grand-cousin Cecilia, at the same age as he is now, lost her life in the mansions impressive staircase, and the circumstances of her death still remain obscure.
Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?
Zündschnüre explores the emotional and psychological aftermath of war. The story follows two former soldiers who return home after serving in a brutal conflict. They find themselves struggling to reintegrate into civilian life, grappling with trauma, guilt, and their difficult pasts. As they attempt to reconnect with their families and rebuild their lives, the haunting effects of war continue to haunt them, testing their resilience and relationships. Fuses is a poignant and intense exploration of human suffering, healing, and the lingering scars of violence.
Anka, a student active in the extra-parliamentary opposition, has had enough of inconsequential discussions. As she no longer believes that she can change the world with words alone, she plans a militant action: as a protest against the Vietnam War, she plants a bomb in a Cologne department store to force the public into a debate.