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Deragh Campbell (born 4 May, 1989; Toronto) is a Canadian actress, director and screenwriter.
She is known for her acclaimed performances in independent Canadian cinema.
Campbell has won accolades for her work, including the Jay Scott Prize from the Toronto Film Critics Association and Best Actress in a Canadian Film from the Vancouver Film Critics Circle.
Her collaborations with filmmaker Sofia Bohdanowicz: Never Eat Alone (2016), Veslemøy's Song (2018), MS Slavic 7 (2019), and Point and Line to Plane (2020) — have screened at film festivals internationally.
She has also featured in two of Kazik Radwanski's films, How Heavy This Hammer (2015) and Anne at 13,000 Ft.
(2019), both of which premiered at the Toronto International Film Festival.
Mara, a young creative writing professor, is struggling with problems in her marriage to an experimental musician. One day, Matt, a charismatic, free-spirited author from her past, wanders onto her university campus. Bonded by their shared interests, the two gradually become closer. When Mara’s husband unexpectedly cancels plans to drive her to an out-of-town conference, Matt accompanies Mara on the trip instead. Along the way, the tension surrounding their undefined relationship slowly grows.
Shot in and around the Laberint d’Horta in Barcelona, the film charts several journeys into the garden in search of its centre, where a statue of Eros waits. As the film navigates the maze’s false pathways, its recursive structure begins to crack, and a mysterious underworld floods its gates.
When Jaime, a gay teenager, is sent to live in a community of Jehovah's Witnesses in small-town Quebec, she falls madly in love with a devout Witness girl. The two embark on an intense affair with consequences that will reshape the rest of their lives.
Tasya Vos, an elite corporate assassin, uses brain-implant technology to take control of other people’s bodies to terminate high profile targets. As she sinks deeper into her latest assignment, Vos becomes trapped inside a mind that threatens to obliterate her.
Five strangers awaken to find themselves trapped aboard an alien spaceship that seems to be harnessing their terror to power the ship. They begin to understand that these species have been abducting humans for decades and possibly centuries.
A psychiatric patient with a brain implant that allows her to relive her dreams finds her reality being encroached upon in unappetizing and surreal ways.
After being appointed literary executor, Audrey Benac (Deragh Campbell) uncovers a series of letters that her great-grandmother had written to a fellow poet. Both displaced from Poland, Zofia Bohdanowiczowa and Nobel Prize nominee Jozef Wittlin corresponded from 1957-1964 between Toronto, Wales and New York City. Over the course of three days, Audrey embarks on a journey to Houghton Library at Harvard University to translate and make sense of Zofia’s words.
In forgotten towns along the American border, a young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.
The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
A grief-stricken man and a bipolar woman fall in love and attempt to forge a simple life together.
When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next.