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Delia Ann Derbyshire was an English musician and composer of electronic music.
She carried out pioneering work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who.
Doctor Who fan favourite Catherine Tate presents a concert of music, monsters and mayhem featuring soundtracks from the iconic series, a specially shot feature for the Fifteenth Doctor and a host of scary aliens as they thrill a packed audience at London's Royal Albert Hall. In a concert like no other in time and space, the much-loved music, performed by the BBC National Orchestra of Wales, is accompanied by specially edited sequences from the series.
While the Doctor plays the Trilogic Game, Steven and Dodo are forced to play seemingly childish but ultimately dangerous games with the aim of being reunited and getting back to the Tardis. This brand new animated version has been created using the original audio recordings.
Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
Jamie tries to evade Yeti in the tunnels of the London Underground. Meanwhile, The Doctor and Victoria meet a potential new ally - Colonel Lethbridge-Stewart.
A true pioneer in audio exploration and psycho-acoustics, Delia Derbyshire conceived one of the most familiar compositions in science fiction, the Doctor Who theme, while working in a BBC basement. Her soundscapes felt like they connected to another realm. Kicking off with the discovery of 267 tapes in an attic, along with a treasure trove of journals hidden in her childhood bedroom, this film tunes in to Derbyshire’s frequency; that of a life-long non-conformist, whose peals of laughter in an archive interview tickle with delight and eccentricity. Featuring a rich archive, interviews, fictional embodiment and Cosey Fanni Tutti’s psycho-sonic channelling, director Caroline Catz traces acoustic pathways on her archeological dig into Derbyshire’s resonant life.
The original 1967 master recordings of ‘The Macra Terror’ were lost soon after the programme’s original transmission. However, audio-only recordings have survived and have been used here to create a brand new fully animated reconstruction of this lost classic.
A Genie Award winning documentary about electronic music pioneer Delia Derbyshire, primarily remembered for the original realization of Ron Grainer's theme for Doctor Who and her work with the BBC Radiophonic Workshop.
A documentary about the BBC Radiophonic Workshop, responsible for creating some of the most memorable television and radio music in British popular culture, including "The Hitchhiker's Guide to the Galaxy" and Doctor Who (1963).
When scientists in the Antarctic uncover a mysterious seed pod, the Doctor is called in to investigate. He soon realises it is extraterrestrial and extremely dangerous. At the same time, however, ruthless millionaire plant-lover Harrison Chase has learned of the find and decides he must have the pod for his collection of rare and beautiful flora. Meanwhile the pod itself harbours intelligent life with sinister plans of its own...
A team consisting of a physicist, his wife, a young female psychic, and the only survivor of the previous visit are sent to the notorious Hell House to prove or disprove survival after death. Previous visitors have either been killed or gone mad, and it is up to the team to survive a full week in isolation, and solve the mystery of the Hell House.
UNIT is providing security cover at an experimental drilling project at Eastchester, designed to penetrate the Earth's crust and release a previously untapped source of energy. Soon, however, the drill head starts to leak an oily green liquid that transforms those who touch it into vicious primeval creatures with a craving for heat. The Doctor is accidentally transported "sideways in time" by the partially repaired TARDIS control console into a parallel universe where the drilling project is at a more advanced stage. Thwarted by his friends' ruthless alter egos, he works to save both universes.