Geisha Girl 1952

Two American G.I.s visiting Tokyo find themselves mixed up with espionage, a pretty flight attendant, a mad scientist, geisha girls, and a goofy magician-hypnotist and his white rabbits.

The Men Who Tread on the Tiger's Tail 1952

Yoshitsune Minamoto, disguised with his retinue as monks, must make do with a comical porter as their guide through hostile territory en route to safety.

Tokyo File 212 1951

A Communist spy ring in Japan is hard at work trying to sabotage the American war effort during the Korean War, using kidnapping, murder and a disturbed former kamikaze pilot. A U.S. secret agent, posing as a reporter, is dispatched to Tokyo to put a stop to these nefarious activities.

Jiruba no Tetsu 1950

Odoru ryûgûjô 1949

The Fellows Who Ate the Elephant 1947

The film is set during the days of the scarcity of food after World War II, during which five men ate an elephant that died in a zoo. The elephant's corpse however, was infested with deadly bacteria and the men have only 30 hours left to live...

Hyoroku's Dream Tale 1943

South Wind 2 1942

In this comic sequel to Yoshimura Kozaburo's original, Minami no Kaze, ex-baron (Saburi Shin) is in Singapore where he meets an old friend who proposes a scam to make some quick cash. It involved inventing the story that Saigo Takamori didn't actually die in the Satsuma Rebellion but escaped to Southeast Asia to start a new religion and in the process fathered a son who is now the founder. But when they bring the supposed heir and his aide to Japan, chaos ensues...

Kaguya Hime 1935

Toho's production of the classic Japanese fairytale.

Tipsy Life 1933

The film generally regarded as Japan’s first true musical was also the first film made entirely in-house by the pioneering studio P.C.L., a company founded specifically to take advantage of emergent sound technology. P.C.L. worked in collaboration with a brewer’s firm, Dai Nihon Biru, who met the production costs of the film in full, and whose products are featured in the film in an example of the sophisticated and modern merchandising typical of the studio’s early work. The film is partially set in a beer hall, and its story concerns a beer seller at a train station and her relationship with a music student trying to create a hit song. Director Sotoji Kimura was to become a company stalwart, making such films as Ino and Mon, while actress Sachiko Chiba would emerge the studio’s first real star, appearing in such films as Wife Be Like a Rose.

The Neighbour's Wife and Mine 1931

A playwright moves to a rural neighborhood to avoid the distractions of the city, but he discovers there are plenty of ways to get sidetracked in his new home, too.

Young Lady 1930

Two reporters find that they are repeatedly beaten to the scoop by a new female journaist, 'young miss'. They decide to team up with her to investigate a secret club for wealthy voyeurs. Considered to be a lost film.