A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.
A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.
The elusive author of Waiting for Godot cooperated in the production of this portrait, which traces Beckett’s artistic life through his prose, plays, and poetry. Billie Whitelaw, Jack McGowran, and Patrick Magee—Beckett’s great dramatic interpreters—appear in selected extracts from the plays; Beckett specialist David Warrilow narrates a variety of texts.
The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.
A group of scientists take Simon, a psychology professor, as a test person for a brainwashing experiment and try to convince him that he is a living being from another planet.