Secondary maps two different narratives onto each other, using movement as the formal through-line. The first describes the complex overlay of violence and spectacle inherent in American football, and more broadly within American culture. Barney’s personal involvement in the sport served as a starting point for the development of this project. The extreme physical and psychological conditions of the game have been abstracted in Barney’s art practice since his earliest work, and now provide a context for this subject that is both retrospective and a new, direct engagement.
An hour-long documentary designed to celebrate the spirit of the independent filmmaker from D.W. Griffith to Quentin Tarantino. Interview footage and film clips are blended together to form a chronological approach to the subject matter.
An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.
Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.
Gunslinger Clayton Drumm is about to be hanged when he is given a chance to live if he agrees to murder Matthew, a miner who has steadfastly refused to sell his land to the railroad company. Matthew’s refusal is a major obstacle to the railroad’s plans for expansion.
A superstitious servant girl - who has foreboding nightmares about a naked man on horseback - comes to live with a solitary female artist at her country chateau. As the artist takes the girl under her wing, a sensuous relationship develops between them.
Luisa's daughter attempted suicide. While attending the clinic and, contemplating the state of his daughter, Luisa recalls the early happy years of her marriage to Pedro, a popular and friendly sports journalist. Soon after came the first deception of her husband.
Toni is a seventeen year old young man who comes to Madrid from a little village in search of work. A friend from the same village of Toni puts him in touch with Charo, "La Corea", a mature woman dedicated to facilitating contacts and boys to American men at the military base of Torrejón.
Potato Fritz (Hardy Kruger) and his friends have moved from Germany to the American Wild West, settling eventually in the Rockies. They are besieged by what appear to them to be hostile Native Americans. Before too long, it becomes clear that the hostiles are in fact a gang of gold thieves. This movie is notable among German-made Westerns for its use of authentic period costumes and firearms.
After a peaceful sailboat ride, four young people, including rich kid Bill, Joe, Fred and Jane, knock on the door of a secluded villa after their dune buggy runs out of gas. Earlier in the day, Bill had given the lovely Jane a pearl necklace with a supposedly paranormal history, and this later opens up a can of worms. They are invited to spend the night at the mansion, owned by Lord Alexander and Lady Alexander, who happen to be hosting a strange ceremony that night attended by a group of eccentrics in black robes. During the evening, Jane exits her sleep chamber, seemingly in some kind of trance, and is lured to a sacrificial alter where the robed houseguests are hovering over her. As a knife is about to be plunged into the young lady, her three friends come to the rescue, but they are also witness to a chaotic mass murder catastrophe in which they flee with feelings of guilt and uncertainty.