There are more than 300 Bach choirs and Bach ensembles worldwide, most of which are made up of amateurs. For many, their lives are inextricably linked with the music of Johann Sebastian Bach. What do people seek and find in his music? What connects them across continents? What fascination lies in the music of the famous German composer, which manages to transcend borders, cultures, religions and centuries? The film embarks on a journey through six continents to meet amateur musicians and singers who have made Bach their "centerpiece".
The plot is almost identical to Donizetti’s Don Pasquale except that the “old man” is not a fool here and his relationship with his nephew, Henry, is loving. It is more human and tender but still has bite. All the old man, Sir Morosus, wants is silence. Richard Strauss' Die schweigsame Frau was first presented in 1935; Hitler and Goebbels refused to attend because Stefan Zweig, the librettist, was a Jew and Strauss refused to remove his name from the program after the Nazis had insisted it be excised. It was a great success but was withdrawn for just that political reason after only three performances. Presented here is the complete, with some minor tweeks, uncensored version.
One of Mozarts most enchanting works, Die Zauberflöte is a fairy tale that uses familiar archetypes to ask provocative and difficult questions about religion, the nature of power, the bonds of family, and of course love. Premiered just months before Mozarts death, Die Zauberflöte in many ways represents a new departure for the composer. Catching the spirit of revolution in the air, Mozart turned his attention for the first time from court opera to popular opera, writing this singspiel (sung-play) for a new and much broader audience. Celebrated Canadian directing duo Barbe & Doucet make both their British and Glyndebourne debuts here with their new Die Zauberflöte, a veritable theatrical feast of eccentricity. (The Guardian). Ryan Wigglesworth conducts an outstanding cast including Russian soprano Sofia Fomina as Pamina, David Portillo as her beloved Tamino, Brindley Sherratt as Sarastro, and the ebullient Björn Bürger as Papageno.
Breaking the Waves tells the story of Bess McNeill, a religious young woman with a deep love for her husband Jan, a handsome oil rig worker. When Jan becomes paralyzed in an off-shore accident, Bess’s marital vows are put to the test as he encourages her to seek other lovers and return to his bedside to tell him of her sexual activities.