The 1948 speech called "Yo Acuso" resulted in Pablo Neruda going under hiding for 13 months and the police searching intensively for him.
Che Kopete, a pervert who works as a waiter in a strip club, suddenly has to take care of a child from one of her past lovers. In the shadows, a group of evil business men tries to kidnap him to replace their boss, who happens to be physically identical to Che Kopete.
When enemy members of the two main Chilean soccer teams, Azul and Paloma meet in a fight after a soccer game they fall in love at first sight. They run away through the night in the streets of Santiago, while two groups search for them, when they meet, happens the inevitable.
Three apartments in an old converted loft building set the stage for three bizarre love triangles. Nico, enjoys his older brother's top floor loft, while he is away on business. Downstairs, Helena, prepares for a dinner with her lover, who never shows up. In the basement, three expatriates are waiting for a phone call. A Chilean contact is supposed to instruct them to carry out a dirty job.
The ghost of a young German colonist, who died a couple of hundred years ago in unclear supernatural circumstances, appears in Chile to fulfill her mythical destiny. To achieve this, she will intervene in the life of an unsuccessful publicist and his lover.
Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.