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David McGillivray has contributed to radio, TV, films and theatre, began as a film journalist and bit player.
His stints as a contributor to the magazine "Films and Filming" and assistant editor of the British Film Institute's "Monthly Film Bulletin" resulted first in him writing screenplays for director Pete Walker and later writing the book "Doing Rude Things".
The films were not commercially successful and McGillivray's scripts attracted mostly hostile reviews.
He moved to theatre, co-writing lowbrow farces for his own company.
During this period he met Julian Clary, who was starting out as a stand-up comic.
McGillivray has continued to this day to write for Clary.
50 years on from the making of The Wicker Man (1973), director Robin Hardy’s lost papers come to filmmaker son Justin. Enlisting his brother Dominic, they journey to discover the complex nature of independent filmmaking and fatherhood. Justin’s view of the film is tainted because it robbed him of his father, his home and his mother too. Dominic is more distanced, his experience relating more to the film’s subsequent cult status. The sons can ask: what was Robin Hardy’s creative contribution to The Wicker Man? Viewers may not always like what the brothers find, but will come closer to understanding the evolution of one of cinema's most famous cult classics, and the maverick director behind it.
This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.
A detailed look at the history of horror anthology films.
A feature length documentary shot over 9 months taking a look at the explosion of movies that became available on VHS in the UK.
Pioneer erotic film maker Peter de Rome talks about his life and work.
Magicians grandson and his girlfriend and their friends are victimized by a bike gang of her former boyfriend. Using grandfather's house and props from father's magic business they take revenge.
Virginal nerd Jon Pigeon, manages to secure a job in a sex research institute where the patients run about the corridors naked, nude aerobics are encouraged and no man is safe from the crotch-grabbing tea lady. In his attempts to seduce pretty office secretary Cheryl, Pigeon invents a machine called Agnes that emits a 'sonic aphrodisiac' guaranteed to turn any man or woman into an slathering sex maniac. Although his attempts to zap Cheryl are singularly unsuccessful, Pigeon gets some interesting results when he accidentally turns the 'sex ray' on his bullying boss Nutbrown and the prudish Mary Watchtower.
A troubled young girl goes to confession at the local church. Unfortunately, the sexually frustrated priest she confesses to becomes obsessed with her. At first, the priest stalks the girl, but later it is revealed that he will stop at nothing, including blackmail and murder, just to get close to her.
In 1957, Dorothy and Edmund Yates were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy's case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie, try to discover just how far Mother's bloodlust has taken her. Meanwhile, youngest daughter Debbie begins to explore the crazy roots of her family tree as fully as possible.
Somewhere in the middle of the English countryside a former judge and a group of former prison warders, including his lover, run their own prison for young women who have not been held properly to account for their crimes. Here they mete out their own form of justice and ensure that the girls never return to their old ways.
Local councillor Sidney Fiddler persuades the Mayor to help improve the image of their rundown seaside town by holding a beauty contest. But formidable Councillor Prodworthy, head of the local women's liberation movement, has other ideas. It's open warfare as the women's lib attempt to sabotage the contest.