atau dikenal sebagai
David Alexander De Horne Rowntree (born 8 May 1964) is an English musician, politician, solicitor, composer and animator.
He is the drummer for the rock band Blur and was a Labour Party councillor in Norfolk County Council from 2017 until 2021.
Silver Servers tells the story of four ’Super Senior’ tennis players in their 80s and 90s — one of them the oldest living player in the world — as they prepare for the International Tennis Federation Senior World Championships; on their remarkable journey, they show us what drives them to keep on playing and competing, helping us realise what is possible in our own lives, whatever our age... and the joy in keeping on going. Tennis is the sport, but the game is life.
blur: To the End follows the unique relationship of four friends - and band mates of three decades - Damon Albarn, Graham Coxon, Alex James and Dave Rowntree as they come together to record new songs ahead of their sold-out, first ever shows at London’s Wembley Stadium in 2023.
Over the years, Damon, Graham, Alex and Dave have helped to change the face of British music, constantly evolving and leaving musical rivals in their wake. This collection of blur’s greatest performances on the BBC delivers all the hits and more, capturing the band’s crowd-pleasing side through fan favourites like Country House, Parklife, and Girls and Boys, as well as their more sensitive and soulful side with tracks including Coffee + TV, Beetlebum, Tender and Out of Time.
'The Magic Whip: Made in Hong Kong’ is a 30-minute film about the making of blur’s new album, featuring exclusive interviews and personal studio footage shot by the band.
Charts the iconic British band’s sprawling journey over the last few years – from an unexpected break in Hong Kong which sowed the seeds for their first album as a four piece in 16 years, to a glorious home coming show in London and, finally, an emotional reunion with their Hong Kong audience.
During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.
Britpop stalwarts blur captured live in performance in the summer of 2012. The gig, held in Hyde Park on August the 12th, was a companion concert to the closing ceremony of the 2012 London Olympic Games. The songs performed by the band include 'Coffee and TV', 'Country House', 'Parklife' and 'No Distance Left to Run'.
A documentary film about the British rock band Blur. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews.
In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.
B.L.U.R.E.M.I., No Distance Left to Run, Tender, Battle, Beetlebum, Bugman, Trimm Trabb, Mellow Song & Song 2 (Live 13 at London Depot, 10 March 1999). Plus, Seymour - Dizzy, There's No Other Way BBC Live Version (1st TV Performance), To the End (La Comedie) with Francoise Hardy, It Could Be You, Music Is My Radar, Out of Time, Crazy Beat & Good Song (Promo Videos).
Showtime is a video recording by British rock band Blur, released in February 1995. Directed and edited by Matthew Longfellow and produced by Ceri Levy, the film is a recording of the band's gig at Alexandra Palace, London, England on 7 October 1994.
Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.