atau dikenal sebagai
From Wikipedia, the free encyclopedia.
Dariush Mehrjui (December 8, 1939 - October 14, 2023) also spelled as Mehrjui Mehrjoui, and Mehrjuyi, was an Iranian director, screenwriter, producer, and film editor.
Mehrjui was a founding member of the Iranian New Wave movement of the early 1970s.
His second film, The Cow, is considered to be the first film of this movement, which also included Masoud Kimiai and Nasser Taqvai.
Most of his films are inspired by literature and adapted from Iranian and foreign novels and plays.
On October 14, 2023, Mehrjui and his wife were found murdered in their home in the city of Karaj, near Tehran.
Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.
The story of a professional photographer Hamed Aban and the radical change in his life. The teacher of his son gives him a book about nature and the cleaning of it. This changes him radically. He goes and hires himself in the municipality, wearing the orange suit like them and cleaning the streets, collecting garbage. Meanwhile his wife who is in Europe back home and is very angry with him. She insists on him to get back to his former work but he refusing. Then she wants a divorce and to take the son with herself to Europe.
Ali is son of a well-off family who plays the santoor (an Iranian instrument) and has earned some reputation through his concerts and teaching music but is rejected by his family because of this profession, which they despise. He falls for one of his music students but after a short blissful period, life doesn't treat him as well as before and also his addiction agonizes him in his numbered days before redemption.
Part 2 of the trilogy concerning Persian poet Farough Farrokhz. This film examines her controversial, sometimes erotic, poetry. Contemporary Iranian poet Forough Farrokhzad became a legend in her own time for her innovative and controversial writings. In this extensive, three-part documentary, Farrokhzad's life, work, and soul are laid bare. Director Nasser Saffarian deftly combines interviews with family members and peers with footage of Farrokhzad shot by Bernardo Bertolucci. Saffarian digs deep into her personal and professional life to uncover new information about this outspoken artist. Includes The Green Cold, a revealing look at her private world, The Mirror of the Soul, an exploration of her controversial, sometimes erotic poetry, and Summit of the Wave, an overview of her theater and film work.
This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.
A man contemplates life and compares it to a pear tree in his yard which stops producing fruit.
Pari is an honor student in literature and theatre at Tehran University. Attracted to the life of her late brother Asad, an ascetic and devotee to Eastern philosophy, she abandons her usual life and embarks on a journey to find herself and discover who she really is. Her quest upsets her other brother, Dadashi, who disagrees with the ascetic life of Asad and tries to convince Pari to return to literature and theater. Her quest upsets her other brother, Dadashi, who disagrees with the ascetic life of Asad and tries to convince Pari to return to literature and theater
Maryam Banoo, a depressed wealthy woman, finds out that her husband is having an affair with another woman. Her husband leaves the house after Maryam Banoo understands the truth. Maryam feels lonely and, by accident, she finds a poor worker and his pregnant wife who are homeless and need a warm place and some treatments for the wife. Maryam Banoo helps them by inviting them to her house and entertaining them with several kinds of food and drinks. The husband and wife invite some other members of their family to Banoo's house and they start to steal Banoo's expensive furniture and bothering her with their bad behavior. Finally Maryam's husband comes back from the trip and throws the poor people out. He admits that he is sorry about his affair but Maryam doesn't accept it and moves to an unknown place to live in peace. Her husband goes after her.