Paris, 1900. Penniless writer Rodolfo believes that art is all he needs – until he meets Mimì, the lonely seamstress who lives upstairs. So begins a timeless love story that blooms, fades, and rekindles with the passing seasons. But while the couple’s friends, Marcello and Musetta passionately row and make up, a force greater than love threatens to overtake Rodolfo and Mimì. Richard Jones’s production evokes the vivid contrasts of fin de siècle Paris, from Bohemian apartments to glittering arcades, while Kevin John Edusei, Evelino Pidò and Paul Wynne Griffiths conduct an array of dazzling performers
Documentary in which soprano Danielle de Niese provides a unique backstage pass to her preparations for the role of Rosina in Glyndebourne's 2016 production of Rossini's masterpiece The Barber of Seville, one of the greatest comic operas, to mark the 200th anniversary of its premiere. The film gives an unparalleled insight into how a top opera professional shapes a performance, both musically and dramatically. As well as actuality filming of all stages - from singing to warm-ups to costume fittings, lighting and set building on stage, through to hair and make-up - there are masterclass sessions with director Annabel Arden, conductor Enrique Mazzola and other key cast members to explore key scenes in depth. Danni also visits the Rome theatre where the disastrous premiere took place in 1816. The film also features interviews with Arden, Mazzola, designer Joanna Parker and other key figures in the production, and footage from the staged version of the opera throughout.
Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.
A contemporary take on the 17th-century genre of the pastiche, this delightful Baroque fantasy brings together some of the greatest arias and ensembles by Handel, Vivaldi, Rameau, Purcell, and other composers with a new English libretto by Jeremy Sams, inspired by Shakespeare’s The Tempest and A Midsummer Night’s Dream. The all-star cast is headed by David Daniels as Prospero, Joyce DiDonato as Sycorax, Danielle de Niese as Ariel, Luca Pisaroni as Caliban, and the legendary Plácido Domingo as Neptune. Early music specialist William Christie conducts this dazzling world-premiere production, designed and directed by Phelim McDermott and Julian Crouch.
David McVicar’s production of Giulio Cesare manages to combine serious insight with entertainment, bringing Handel's masterpiece to life in a powerful, convincing and highly intelligent way. ln every line of the complex narrative the subtle nuances are apparent, reflecting perfectly the transparent and exquisite nature of Handel's musical expression. Filmed in High Definition and recorded in true surround sound, the outstanding singing of the all-star cast, led superbly by Sarah Connolly, and the vivid playing of the Orchestra of the Age of Enlightenment under the energising baton of William Christie reveal the colour and dramatic character of Handel’s music in a most delightful manner.
"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover