detail profile daniel martin berkey
Peran Yang Di Mainkan Daniel Martin Berkey
Mildred and Doris are two middleaged...MURDER and murder 2024
Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.
Troubled father Leon takes son camping...The Hangman 2024
Troubled father Leon takes son camping in Appalachia. Local cult summons evil Hangman demon. Son goes missing. Leon must confront cult, monster to find him amid rising body count.
A stranger seeks help in a...
On the day of his scheduled...
A disgraced exsurgeon on a path...
An elderly Ruth is a loyal...
The Luring is about a man...The Luring 2019
The Luring is about a man who returns to his family vacation home, where a murder took place during his 10th birthday party, hoping to finally resolve a memory gap that has been plaguing him for years.
Inspired by an old documentary film...The Woman in the Movie 2017
Inspired by an old documentary film, a man in the year 2087 volunteers as the world's first human time traveler to find the woman who changed his life, the woman in the movie.
A struggling young actor begins to...
When the Birch brothers inherit a...
Three overgrown punk women set their...
A woman is kidnapped on her...
Three Chinese friends build a successful...
An American family visiting their Irish...Plague Town 2009
An American family visiting their Irish roots accidentally stumbles on a horde of bloodthirsty mutant children.
Privilege is an intelligently conceived boldly...Privilege 1990
Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.
