Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
A young writer recounts an earlier romance in hopes of attracting his new love interest.
It's Easter in the beach house of a Chilean well-to-do and nowadays family. A self-centered and successful father, a disoriented mother and a son overshadowed by his successful father. The three of them, wait for the arrival of the son's first official girlfriend; a disturbing and rebellious young lady who will invade the house with her powerful sexual load and other "gifts", breaking loose an emotional cataclysm with no stepping back.
The story of two brothers who get involved with a sexy stripper and her boss, the nightclub king of Santiago, as told from three perspectives.