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Cosey Fanni Tutti
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Cosey Fanni Tutti (born Christine Carol Newby, 4 November 1951) is an English performance artist, musician and writer, best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey.
Tutti first performed under the name Cosmosis.
According to Throbbing Gristle biographer Simon Ford, the name of Cosey Fanni Tutti was suggested to her by artist Robin Klassnick based on the title of the opera Così fan tutte, meaning literally "That's What All Women Do.
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Tutti had a long career as a stripper and in the fields of pornographic film and magazines stemming from a desire to incorporate her own image into collages that she produced in this period.
This willingness to consciously participate in the process of commercial image production has inspired a number of visual and performance artists.
Some of her performance artwork has also drawn on her experience as an adult performer.
From Wikipedia.
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A true pioneer in audio exploration...Delia Derbyshire: The Myths And Legendary Tapes 2020
A true pioneer in audio exploration and psycho-acoustics, Delia Derbyshire conceived one of the most familiar compositions in science fiction, the Doctor Who theme, while working in a BBC basement. Her soundscapes felt like they connected to another realm. Kicking off with the discovery of 267 tapes in an attic, along with a treasure trove of journals hidden in her childhood bedroom, this film tunes in to Derbyshire’s frequency; that of a life-long non-conformist, whose peals of laughter in an archive interview tickle with delight and eccentricity. Featuring a rich archive, interviews, fictional embodiment and Cosey Fanni Tutti’s psycho-sonic channelling, director Caroline Catz traces acoustic pathways on her archeological dig into Derbyshire’s resonant life.
Hull England 1970 In a rundown commune...Other, Like Me 2020
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
The true story of punks queers...Industrial Accident: The Story of Wax Trax! Records 2018
The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.
Industrial Soundtrack For The Urban Decay...Industrial Soundtrack for the Urban Decay 2015
Industrial Soundtrack For The Urban Decay traces the origins of Industrial music, taking you on a journey through the crumbling industrial cities of Europe to America's thriving avant-garde scene. Featuring Throbbing Gristle, Cabaret Voltaire, NON, SPK, Test Dept, Clock DVA, Re/Search - V Vale, Z'EV, Click Click, Sordide Sentimental, Hula, The Klinik, Ant Zen, Orphx, In The Nursery and Prima Linea.
A ritual of transformation and awakening...A Study In Scarlet 1987
A ritual of transformation and awakening within the walls of the only existing original 'diorama' building in London. Followed by a celebration of the body and mind. The admission of sexual awakening and freedom. A tribute to the works of Georges Bataille. Filmed at The Bloomsbury Theatre, London, UK.
Greenaways short documentary shows 26 bathrooms each...Inside Rooms: 26 Bathrooms, London & Oxfordshire 1985
Greenaway's short documentary shows 26 bathrooms, each representing a letter of the alphabet.
A visual art musicvideo album created...Elemental 7 1983
A visual art music/video album created by the members of the industrial/experimental group Throbbing Gristle, Chris Carter and Cosey Fanni Tutti.
A ritual of transformation and awakening...Diorama 1983
A ritual of transformation and awakening within the walls of the only existing original ‘diorama’ building in London
Born in 1904 Brandt was a shy...Shadows from Light 1983
Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of "distorted nudes", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.
Recorded live at Kezar Pavilion in...
A video of live performances by...European Rendezvous 1983
A video of live performances by Chris & Cosy with visuals by John Lacey. Recorded during the CTI European tour of 1983. (throbbing-gristle.com)
For over 30 years the socalled First...Psychic TV: First Transmission 1982
For over 30 years, the so-called First Transmission video from Psychic TV, has been the stuff of, well, “snuff film” legend. First advertised in the back pages of Thee Grey Book , The First Transmission was an ultra weird touchstone of the underground VHS tape trading scene of the 1980s.
An experimental film of the group...T.G.: Psychic Rally in Heaven 1981
An experimental film of the group Throbbing Gristle in concert.
The Shadow of the Sun draws...In the Shadow of the Sun 1981
'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
In order to unmask a pathological...The Playbirds 1978
In order to unmask a pathological killer who is targeting the beautiful centrefolds of Playbirds magazine, a sexy policewoman Lucy Sheridan puts her life and reputation on the line by sleeping with millionaire publisher Harry Dougan. The Chief Superintendant and Police Commissioner are keeping a close eye on her, but time is running out fast.
The Silent Cry is a fictionalised...The Silent Cry 1977
'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all surrounded, and directed towards her particular dilemma. This dilemma can be summarized as her basic inability to have relationships, especially sustained relationships, and particularly with men. This is the total of her statement and the film. The construction and flow of the film follows the way she thinks - it is her point of view that is followed in the film. So all things are the way she remembers and dwells on them, and which are important to her.' - S.D.
In this silly softcore sex comedy...Secrets of a Superstud 1976
In this silly soft-core sex comedy, Tony Kenyon is Custer Firkeshaw, the owner of a girlie magazine. He stands to inherit a fortune… If he can get married and have a baby within a year. When he (and his relatives) find out from his doctor that he only has 13 more…uh, attempts-at-procreating left in him, the relatives set out to ensure that he uses them all up, so that they can inherit the property.
