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Since 1979 Conor has worked in a variety of roles in Theatre, Film and Television.
He started as an ASM for the Irish Theatre Company and quickly moved to acting including the Abbey, the Gate and touring the UK.
Conor spent ten years in Australia, primarily acting in Film and Television, however, he also co-wrote and developed a feature film screenplay and directed two plays.
Returned to Ireland to work with the Druid Theatre Co in 1991.
Three years at the Abbey Theatre and other theatre companies in Dublin.
Irish Film and Television work from 94 to 97.
Worked at the Royal National Theatre London in 1998.
In 1999 Conor formed Benrae Productions Ltd, and is writing, directing and producing film, television and theatre projects.
A story of youthful misadventure set against the backdrop of a lawless border terrain during the last gasps of the Irish boom.
A raucous story of the interweaving lives and loves of small-town delinquents, shady cops, pretty good girls and very bad boys. With Irish guts and grit, lives collide, preconceptions shatter and romance is tested to the extreme. An ill-timed and poorly executed couple's break-up sets off a chain of events affecting everyone in town.
After spending time in New York City, Billy Hayes returns to his Ireland hometown. He wants to get back together with his ex-girlfriend and take her to America in hopes of opening up a gas station. But everything isn't going Billy's way — the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant. Then, Billy runs into his old friends who are planning a scam.
Criminal Martin Cahill gets in trouble when a major robbery succeeds. He aims for more trouble when he tries to do a large art robbery
Marcy, a worker in the reelection campaign of bumbling Senator John McGlory, is sent to Ireland on a quest to find the Irish ancestry of Sen. McGlory, to help him win the Irish vote. But when Marcy arrives in the small village of Ballinagra, she finds herself in the middle of a matchmaking festival, and the local matchmaker is determined to pair her off with one of the local bachelors.
American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.
Underrated leading man Jeff Fahey carries most of the dramatic weight of the Australian Wrangler. Fahey plays a handsome, athletic businessman who vies for the hand of rancher's daughter Tushika Bergen. Our hero must not only contend with his romantic rival, a dashing but dangerous cattleman, but also with a villainous creditor who craves the land left to Bergen by her late father. By nature of its plotline and setting, Wrangler can't help but invite comparisons to the popular The Man From Snowy River. Still, the stars and director Ian Barry keep up the appearances of freshness and originality
The action moves along quickly, jumping over holes in the script, in this made-for-television drama about Eve, an ex-terrorist from Germany who is forced to escape to Australia with her teenage daughter Chrissie when she is sought by Riley, a lover from 17 years in the past. In turn, the IRA has sent two members after Riley because he shot an IRA soldier and must pay the consequences. The two IRA operatives looking for Riley come across a really nasty biker who wants vengeance on Eve for setting his car on fire -- and the three men finally track her and Chrissie to the wine-growing country of Barossa Valley. The final denouement is about to explode, as Riley also arrives on the scene. With under-par acting and a patchy plot, this film was never released theatrically.