detail profile clemens unterreiner
Riwayat Hidup
studies with Hilde Rössel-Majdan, Gottfried Hornik, Helena
Lazarska and Wicus Slabbert.
Numerous national and international opera and
operetta productions as well as lied evenings, oratories and church concerts.
Guest
soloist in the Große Saal of the Wiener Musikverein, at the Wiener Konzerthaus,
Palau de la Musica and other international concert halls.
Member of the
ensemble of the Wiener Staatsoper since 2005, where Clemens Unterreiner for
example sang Sharpless, Faninal, Donner, Harlekin, Melot, Brétigny,
Schtschelkalow, Oberpriester des Apollon (Alceste), Happy (La
fanciulla del West), Musiklehrer (Ariadne auf Naxos), Schaunard.
Also as guest soloist at the Volksoper Wien he very successfully performed as
Papageno or Sharpless.
Further engagements led him to the New York Carnegie
Hall, the Royal Opera House Copenhagen, to the Strasbourgh Opera, the
Salzburger Festspiele, Opera de Nice, Linzer Landestheater, the Oper Chur, the
Sommerfestspiele Heidenheim as well as to the Richard Wagner Festival Budapest.
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Info Pribadi
Peran Yang Di Mainkan Clemens Unterreiner
The young composer Max is due...Der Freischütz - Wiener Staatsoper 2018
The young composer Max is due to marry Agathe, but before his wedding he must finish his opera on which he has been working for quite some time. Despite all his efforts, Max is plagued by worries that he will fail to complete the piece and so makes almost no progress. Visions and hallucinations haunt him, the boundaries between dream and reality seem to blur and overlap. Caspar tries to persuade him finally to give in to the hidden and dark creative powers within him and so overcome his inability to write; Caspar’s efforts are finally rewarded.
Filmed at the Vienna State Opera...Werther 2005
Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.
