Misaki is a popular bar hostess whose policy is to 'live on presents'. She is haughty and wants nothing but the most expensive and exclusive. One night, she finds a rabbit and takes it home, setting off the story of an unimaginable tragedy. It is an 'animal panic horror' film with a new edge presenting an allegory of the worst in the modern materialistic world. This is the first full-length feature film for Yuichi Kanemaru, who has worked as assistant director to Kaneto Shindo, Yasuo Furuhata and Takashi Miike. And Tomoko Tabata's dynamic performance in her first horror movie is a definite highlight.
Seeking the "woman of his dreams", Kikunosuke visits Hokkaido and meets Masumi, the only daughter of the Zippi Ranch that raises great racing horses, Okamura, her grandfather, and Yamada, a stable hand who is secretly in love with Masumi. Zippi Ranch is targeted for acquisition by Sengoku Farms, which has constantly acquired small ranches. Naoto, the son of Sengoku, grew up with Masumi and raped her in the past. With the horrible experience, Masumi has become fastidious about sex. Began working at Zippi Ranch, Kikunosuke spends a night with a hostess, Ayumi, whom he met at a club Naoto owns. Sleeping with numerous customers to support the club, Ayumi has been sexually frigid, but Kikunosuke gives her an orgasm with his technique, Kinuta. The sex master, Kikunosuke, stands up to rescue a troubled woman mentally and physically.
Nami Matsushima, a former doctor, is put in prison for murdering one of the men who raped and killed her sister. Now, faced with violent and lecherous prison gangs, an aggressively amorous warden, and with a friend on death row, Nami must steel herself for a ten year stay in one of Japan's toughest women's prisons.
Nami Matsushima has escaped from the prison to which she was sentenced in Scorpion, but is now obsessed with tracking down the--don't laugh--one-armed man who murdered her younger sister fifteen years ago. Nami is certainly no great action heroine, and the plot at times makes little sense, climaxing with a coincidence more ridiculous than any Shakespeare ever used. For complicated reasons, Nami uses her medical knowledge to break into a women's prison as staff physician. There, as in the previous movie, the convicts wind up naked awfully frequently.