atau dikenal sebagai
The Crime Investigation Department is assigned to protect a princess-consort coming from the Republic of Puerto Risi. They arrange a fantastic trip to introduce the princess-consort to Hong Kong, but a big crisis looms on the horizon.
A woman diagnosed with leukemia meets a Chinese-Scottish sailor who she loses contact with. In order to find him she enlists Worm, a man who runs a “lost and found” business, and the two set out to find what she’s looking for.
A poet named Butterfly and her friend Kuen visit a stranger's mansion to return some possessions that were unintentionally taken. At the house, they stumbled upon an illegal weapons trade that ultimately went bad. To evade the police from interrogations, the two innocent witnesses wiped away their fingerprints and left a note that stated that the crimes were committed by "The Black Rose," who is known to be a fictional hero in a 1965 movie. However, a recovered fingerprint caused Kuen to be the prime suspect, and the apprentices of the Black Rose, apparently a real hero whose legacy was portrayed in the 1965 movie, attempt to seek the truth in the matter by confronting Butterfly.
Alan and Eric are childhood friends who are separated when Eric moves to America. They are reunited in Hong Kong when Eric finds Alan at the cafe where the latter is working as a waiter and singer. Together they forge a business which is destroyed in a storm. Meanwhile, both have met a lady named Olive, and both strive for her affection.
This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.
Banker Fung Yan-tsang is a seasoned criminal in fraudulent activities. The righteous cat burglar Ham Siu-fo has issued a deadline for Fung to return the scammed money. Despite the obstacles put up by Fung's allies Chow Wai-pak and his stepwife Julie, Ham still manages to reclaim the money which is accordingly returned to the customers. In the process, Ham is reunited with her long-lost twin sister Katherine, Chow's daughter. Since losing her mother whose health took a turn for the worse after Chow's marriage to Julie, Ham has undertaken a chivalrous course in the footsteps of her aunt. She thwarts the scam marriage set up by Fung for Katherine and his idle son, using the servant Chu Yat-keung as bait, and exposes Fung's illicit affair with Julie. Crossing boundaries of class and wealth, the servant Chu and Katherine become man and wife. A happy Ham leaves, continuing to devote her life to the causes of social justice.
Yuen is a reformed criminal who rescues Mei from an attempted assault on a boat and then marries her. A year later, Big brother (Sek Kin) comes looking for Yuen to return to his criminal past. Yuen refuses and chooses the straight path. Big brother doesn’t like this, so he stages a gambling den robbery and frames Yuen.
Dirt-poor painter But Ka-sing lives under the same roof with Tang Chan-sin and Lee Tai-hak. Smitten with Tse Mei-chen, the penniless suitor resorts to staging a suicide and makes a fortune of his paintings which are sold at sky-high prices after his feigned death. Reinventing himself as a doctor, But competes with the rich heir Fung Chak-chak to win Tse's heart with an avalanche of gifts and money. However, Tse rejects the suit of the philistine. But gives up his windfall and tells the truth at his memorial exhibition. Thrilled, Tse pledges her love and marries the painter, for better and for worse.
Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.
Cheung Yan-Lai, framed by his elder brother Cheung Yan-Tsuen, is sent to jail. He manages to escape and plans to take revenge along with a sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into a lethal weapon.