detail profile chandrabati devi
Riwayat Hidup
Chandrabati Devi defied societal norms, pursuing a career in Hindi and Bengali cinema.
Born on 19th October 1909, in Muzaffarpur, she moved to Kolkata, where she graduated in Bengali literature and trained in music under the guidance of Dinendranath Tagore.
Her entry into the silent film industry was facilitated by her husband, Bimal Pal, with whom she founded 'Movie Pictures', making her debut in the silent film "Piyari" ' (1929), being catapulted to stardom and possibly becoming the first female film producer in Bengal.
Despite challenges, she earned acclaim for roles like Meera in Debaki Bose's cult classic "Meerabai" (1933), Chandramukhi in the 1935 cult classic "Devdas", and "Dakshayagna", with her portrayal of Saratchandra Chattopadhyay’s heroines leaving a lasting impact.
As her career progressed, she transitioned to character roles, with memorable performances in "Agni Pariksha" and "Ami Sirajer Begum".
A talented writer and editor, Chandrabati remained committed to the purity of art throughout her life.
She died on 22nd April, 1992.
Info Pribadi
Peran Yang Di Mainkan Chandrabati Devi
Shipra is a poor woman who...Rodon Bhara Basanta 1974
Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.
A 1973 Bengali Drama Film directed by...
Starring Uttam Kumar in a double...
Indra and Radhas love is shortlived...
Jayanti takes up a job of...
While on their way to Hinglaj...Marutirtha Hinglaj 1959
While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.
Indrani Mukherjee the only daughter of...Indrani 1958
Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.
An underpaid middleaged clerk finds a...
A philanderer the only son of...
Feeling lonely after his fathers death...Chandranath 1957
Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.
An amnesiac man escapes the hospital...Harano Sur 1957
An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.
A 1957 Indian film about an aspiring...Prithibi Amare Chay 1957
A 1957 Indian film about an aspiring singer and the son of a reputed businessman. His stepmother accuses him of indecency and throws him out of his house to inherit all the property of her husband. The female protagonist suffers a similar fate as her stepmother forces her to leave. They both decide to commit suicide and go to a riverbank where they meet and the cupid strikes.
This film revolves with miscommunication and...One Night 1956
This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.
A 1955 Bengali Drama Film directed by...
Ananda an upcoming writer leaves his...
Anu and Binay love each other...
Set against the backdrop of WW...My Sister 1944
Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.
Suren prevented by his family from...
Devdas the son of a zamindar...Devdas 1935
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
