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Catherine McLeod (July 2, 1921 – May 11, 1997) was an American actress who made over sixty television and movie appearances between 1944 and 1976.
She memorably portrayed the one woman whom James Garner's character Bret Maverick wanted to marry on the 1957 television series Maverick, in the episode "Rage for Vengeance," and appeared in literally dozens of other series including The Millionaire, Meet McGraw, Richard Diamond, Private Detective, 77 Sunset Strip, Mickey Spillane's Mike Hammer, Bronco, Perry Mason, Colt .
45, Lawman, Bonanza, Hawaiian Eye, Have Gun - Will Travel, The Outer Limits, The Virginian, and the Ten Thousand Horses Singing episode of Studio One opposite James Dean and John Forsythe.
Movies included Frank Borzage's I've Always Loved You (1946), Courage of Lassie (1946), The Fabulous Texan (1947), That's My Man (1947), Old Los Angeles (1948), My Wife's Best Friend (1952), A Blueprint for Murder (1953), William Witney's The Outcast (1954), Ride the Wild Surf (1964), and Lipstick (1976).
McLeod's greatest impact upon American consciousness by far, however, was as purveyor of one of the most ubiquitous catchphrases of its era when she portrayed the woman in the 1963 headache remedy television commercial who plaintively but irritably said, "Mother, please! I'd rather do it myself!" The announcer's voiceover would then intone, "Sure you have a headache.
.
.
tense, irritable.
.
.
.
but don't take it out on her.
"
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A history of Republic Pictures studios, featuring hundreds of clips plus on-camera interviews with stars, director, stuntman, etc.
An aspiring avant-garde composer rapes a fashion model. When she takes him to court, she's slut-shamed by the defense and the man is exonerated. But justice will be served.
Tammy leaves the river in Mississippi to attend college, developing a relationship with Tom Freeman (John Gavin). Sandra Dee replaces Debbie Reynolds in this and the third Tammy movie. This film introduces both a new theme song, "Tammy Tell Me True", and the character of Mrs. Annie Call, played by veteran Beulah Bondi. Mrs. Call ultimately moves in with Tammy at the Ellen B. and would be the catalyst for the events in the following film, "Tammy and The Doctor".
Thanks to the chicanery of his crooked uncle Major Cosgrave, Jet has been cheated out of his father's property and branded a pariah. He spends the rest of the film trying to regain his birthright and clear his name. The two women in Jet's life are Judy Polsen, who chases him for so long that he finally catches her, and Alice Austin, Major Cosgrave's fianee.
Whitney Cameron is in a quandary: he's attracted to his beautiful sister-in-law, Lynn, but also harbors serious suspicions about her. Her husband, Cameron's brother, died under mysterious circumstances, and now that the death of her stepchild, Polly, has been attributed to poisoning, he suspects that Lynn is after his late brother's estate, and killing everyone in her way.
An enemy of the Count of Monte Cristo frames his son for a murder in order to exact revenge and steal the family fortune.
Idealistic and naive Dr. Jason arrives at a school for delinquent girls and immediately begins to try to make a difference in the lives of some of the inmates. Oblivious to the sadistic treatment of the girls by the matrons, it takes a rebellious girl named Loretta to open his eyes. Assisted by a female staff member, Jason finally gets proof of the abuse and threatens the head of the school with exposure unless he is given full rein to run things.
Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.
A poor young man is finally able to achieve his dream of running a horse at the track, but when he starts becoming successful, he begins to lose sight of what mattered to him before.
A beautiful young concert pianist is torn between her attraction to her arrogant but brilliant maestro and her love for a farm boy she left back home.
Bill's separated from his litter, making friends with the wild creatures until he's found and adopted by young Kathie. An accident separates him from her, and he's drafted into K-9 duty in the trenches until battle fatigue takes its toll and he turns vicious. And even though he finds his way back home, he may be condemned as a killer.