During the World Cup final between Argentina and Holland, in times of military dictatorship, a group of torturers kidnap a group of young people. What begins as an inhumane interrogation turns into hell: the wrong group has been kidnapped.
Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.
An experienced commercial pilot is forced to collaborate with his country's intelligence services to avoid being punished for a serious fault he committed on the job. He is quickly plunged into an underworld of intrigue and extortion that will put his life at risk and he will pay a very high price to escape from it.
A family takes refuge in an old country house the last hours before the announced final judgment. But the unexpected appearance of an intruder, who claims to be a savior, puts their faith and destiny at risk.
Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.
Rodolfo (Luis Brandoni) is a retired doctor. Since he was widowed a few years ago, he lives alone in his house. For an unexpected event, his daughter Laura (Nancy Dupláa) with whom he barely speaks, needs to move with him for a few days. The coexistence will bring old discussions to the table, wounds that did not heal and the opportunity for them to connect again.
Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.
Axel, a Spaniard with Asperger syndrome, decides to travel to Buenos Aires in search of his former companions, with whom he formed in the past a music band that was not successful. Axel meets again with Javier, a geography teacher, and Lucas, a health visitor; three estranged friends who reluctantly come together to become the ones they never were: almost legends.
During a stopover in Buenos Aires on her way to Chile, 31-year-old Maria recognizes a nursery rhyme. Maria doesn't speak a work of Spanish, but without understanding what she is singing, she remembers the Spanish lyrics. Disturbed and thrown off course, she decides to interrupt her journey and wander through the unfamiliar city.
Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers
Anita is the story of a young woman with Down syndrome who lives a happy, routine life in Buenos Aires, being meticulously cared for by her mother Dora. One tragic morning in 1994, everything changes when Anita is left alone, confused and helpless after the nearby Argentine Israelite Mutual Association is bombed (the deadliest bombing in Argentina's history). As Anita wanders through the city, she learns not only to care for herself, but touches the lives of those around her, from an alcoholic to a family of Asian immigrants.
A methodical man falls for a pregnant woman with a very particular life story.
Mariano is a psychologist who must fulfill community service after losing a lawsuit by a traffic accident. He is forced to provide therapeutic support to Alfredo, a policeman depressed over his wife cheating on him. Mariano is then accidentally involved in a double homicide investigation being conducted by Alfredo.
Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.
Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.