Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.
During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...
The movie is basically two unrelated comedic features: the first one features the travails of a man who stutters and tries to woo a woman he wants to date. The second features the wonderful Renato Pozetto as a gay man who lives with a partner, but finds himself falling for a woman, and not knowing how to tell his partner, who is prone to melodrama.
Sandro is a Roman adrift in Venice during Carnival. As he enters midlife, he argues with his wife of sixteen years more often than they laugh or make love. She's had enough of his moods, so they separate so he can sort out his mind. His first night away, he sees a photograph of a nude; the image resembles his wife. He searches for the model, whose name is Riri. He finds her, and she looks exactly like his wife, except that Riri is a gaily attired prostitute and Laura is a self-contained antiquarian bookseller. Are they two women, are they one, and in the masquerade of Carnival, what is real?
In the year 1870 Rome, then governed by the Pope, was captured by the Italian General La Marmora's troops. After the armistice, the Italian soldier Alfonso killed a Pope's soldier, the son of Don Prospero. Then he sought refuge in the house of Don Prospero himself. There Costanza and Olimpia, respectively the wife and the daughter of Don Prospero, fall for him. Then Gustavo, who knew that Alfonso had killed Don Prospero's son arrived in the house... Some things are going to happen
Guido is an international journalist with an unusually difficult relationship with his daughter, Mimi. He hasn't seen her for several years and has just taken her away from the boarding school she was immured in. She is now 15, and for some reason is doing everything in her power to get him to have sex with her. She even brings herself to orgasm while lying in the bed next to him. He goes nearly apoplectic trying to avoid her advances. Eventually, her school chum Therese comes to visit them, and Guido at last has a semi-suitable object for his by now quite overheated passions. The story is loosely based on a novel by Guido Morselli.
Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.
An anthology film that presents three storylines, all set in the Italian town of Treviso. In the first story, a husband pretends to be impotent as a cover for having an affair. In the second, a bank clerk abandons his wife for his mistress, but the rest of the town's husbands become jealous and unite to conspire against them. In the third, men of the town all seduce a promiscuous teenager, but her father eventually reveals that she is underage, and they face prosecution for statutory rape.
In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...
Giulio has a faithful wife and a true friend, but he is convinced that only with money can one be happy. So he devotes himself to dangerous real estate speculation in Sardinia, even though he does not have the capital to deal with it. To find the necessary money, he is willing to give up even his dignity. And slowly, he alienates his most beloved ones from himself....