atau dikenal sebagai
Brought together by the unexpected inheritance of an abandoned house in rural Normandy, four cousins discover they share a mysterious family history. In 1895, their ancestor Adèle, then aged 21, leaves her hometown to search for her mother in Paris. She discovers a city on the cusp of modernity, bustling with new-found avant-garde creativity, with the rise of photography and the birth of Impressionist painting. As her descendants retrace her steps, they unravel Adèle's surprising past. The two timelines of 1895 and 2024 intertwine and collide, confronting the cousins’ contemporary attitudes with life in late 19th century Paris, leaving everyone’s future forever changed.
Every year the Prime Minister has a list of all kinds of troublemakers eliminated in the name of the famous Reason of State. Serge Shuster, Special Adviser to the President of the Republic, finds himself on this list, better known as the Matignon List. Condemned to certain death and at the heart of an implacable plot and a state secret that also put his family in danger, Serge, his wife and children have only one hope left - their gardener, Léo, who hates it when « slugs » invade his garden... Especially those that want to kill innocent families.
In the land of Chamoux, there are powerful women from the 2020s who are unable to get a raise, hyper-efficient secret agents who are unaware of their abilities, friends who listen without seeming to, and women who believe in telekinesis. There are girls who count quickly and accurately, girls who speak too softly, and girls who think too loudly. The common thread is Elise Lucide, an insatiable and sensationalist investigative reporter, a pure product of the old-school French media landscape, determined to bring viewers the purest essence of this terra incognita: female humor. From couple's life to palliative care, from schools to Comedy Clubs, Chamouxland is a journey to the limits of the post-modern, post-feminist, and post-Me-Too world.
Flanked by their two children, Simon and Adélaïde decide, like many Parisians today, to leave their two-room apartment for a quieter and more comfortable life in the country. They are seduced by a house in the middle of nature: space, a vegetable garden, a wood adjoining their garden and above all villagers who welcome them with open arms. A dream come true! But the young couple was soon to be disillusioned: the wood was actually a hunting ground for big game! Although the hunters are friendly, they are not willing to give up their territory, making Simon and Adélaïde's dream of the countryside a living hell. But true to their reputation, our Parisians are not going to let them do it.