This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.
The first Chinese sound film. It tells the story of Hong Pion (Red Peony), a singer-songwriter who, after her marriage to the depraved Faxiang Chen, not only tormented and suffered, but also endured the decline of her artistic career.
After being defeated in a fight by a local gang, local official Lu Fengyang sends his weak and sickly son Lu Xiaoqing to study with a master of the Kunlun school of martial arts. Recovered and strong, he comes upon the Red Lotus Temple, and puts up there for the night. Unable to sleep, he begins looking around the palatial temple, and discovers a room decorated with many images of Buddhist demons, and an altar to worship them... Purposely destroyed serial film whose 19 full length chapters (averaging 86 minutes each) originally ran 27 hours in length.