In a town called Hope on the edge of Britain's empire, desperations clash: the beautiful Dorothea Brook is desperate to free her pregnant sister Rose from the clutches of Fraser, a fortune hunter. A local politician, William Poyner, is desperate for cash and thinks marriage to Dorothea will save him. Dorothea hires Lawrence Hayes, a rough but handsome Argonaut, to bribe Fraser with jewels and to marry Rose; Hayes desperately loves Dorothea and may marry Rose to stay close to her. But Dorothea has a lover, the ravishing Anne Cooper, who encourages the match with Poyser to give the lovers cover. Are these remedies, each desperate in its turn, going to make anyone happy?
Colin is the deputy principal of a city high school (Avondale College, Auckland) who reluctantly applies for the principal's job on the latter's retirement. Colin's wife, Elizabeth - who is losing interest in him -gives a dinner party. Among the guests is Judy, temporarily reconciled with her husband for the sake of the children. Colin - who has taken upon jogging to combat a spreading waistline - and Judy, gradually enter into an affair.
Sir Kevin Orr is anxious to return the Sacred Claw of the Naga hills given him as a child by his uncle Jack but warned that unless it is returned before his sixtieth birthday the curse of the claw will kill him. He sets sail to return it but falls for the ship's female officer, who throws the claw overboard, killing everybody but Kevin. Years later the claw has returned and on his sixtieth birthday Kevin finds his wife Agatha dead, the claw beside her. He finally sends the claw back to the Naga hills, breaking the curse but sending him back in time to his childhood, his relatives still alive.
Benji gets lost after a flight overseas and becomes a stray in Athens, Greece. He then tries everyday to reunite with his family while mysterious people pursue him, in a race to get a code which was secretly tattooed on his paw at the airport. But who are the bad guys and who are the agents that can be trusted? Will Benji and his kids and their nanny ever get to enjoy their vacation?
The legendary actress Sarah Bernhardt's unconventional life and career are examined in this biopic. At an audition in 1860, the teenage Bernhardt proclaims herself the greatest actress of her time. Her career blossoms, as does her private life. But art and life don't stay balanced, much to the frustration of her lovers. The eccentric Bernhardt eventually does marry another actor, but it's her life on stage that ultimately gives her the most satisfaction.
"All I said was the gramophone's too loud." Tony and Zoe Lyle 's silly row starts like any other, but Tony finds that Zoe means it this time. She's walking out and he's got a week to save a marriage that he hasn't looked at in 18 years, and with it all the trappings of a good life in Maida Vale.
"If I had the money, I'd buy me a banjo!" says struggling sales clerk Arthur Kipps. Soon he'll inherit enough to buy a whole bloomin' orchestra. But can his newfound wealth buy happiness?
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
A Home of Your Own is a 1964 British comedy film which is a brick-by-brick account of the building a young couple’s dream house. From the day when the site is first selected, to the day – several years and children later – when the couple finally move in, the story is a noisy but wordless comedy of errors as the incompetent labourers struggle to complete the house. It may well have been inspired by the success of Bernard Cribbins' classic song of the same vein from two years earlier, "Right Said Fred". In this satirical look at British builders, many cups of tea are made, windows are broken and the same section of road is dug up over and over again by the water board, the electricity board and the gas board. Ronnie Barker’s put-upon cement mixer, Peter Butterworth’s short-sighted carpenter and Bernard Cribbins’ hapless stonemason all contribute to the ensuing chaos.