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Bianca de Souza Mendes Comparato (Rio de Janeiro, November 19, 1985) is a Brazilian actress and director.
She has already received several awards and nominations, including a Grande Otelo and an APCA Award, in addition to having two nominations for the Brasil Quality Award and one nomination for the Guarani Award.
Emily Wyland teams up with cinematographer Danny to shoot an intimate documentary about reuniting with Emily’s estranged mother after a decade apart. When her mother suddenly goes missing, possibly succumbing to the addictions that first tore her family apart, Emily and Danny must piece together increasingly sinister clues to find her before it’s too late.
A young man, plagued by the music in his head, has to come to terms with an uncertain future while balancing love, family and Brazilian culture in Newark, New Jersey.
Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.
After another day at work, Virgílio turns on the answering machine at home and hears a disturbing message. It's a message from Clara, communicating the end of their relationship. Virgílio then listens to the message repeatedly, seeking some meaning. Breaking up is not the problem; the problem is that Virgílio has no idea who Clara is.
After ending his long-term relationship, Antonio is sure that he can quickly get over Sofia. But nothing is as simple as it seems. And realizing the impossibility of controlling his own feelings, he begins to boycott them, using all sorts of contemporary palliative measures to free himself from the memories of his ex: cognitive psychoanalysis, prescription drugs, Tinder, among others. Ergo, Antonio will go through several tragicomic situations.
Heitor is a bachelor who shoots fancy weddings for a living, but gets in trouble when he meets Penélope, a woman desperate to stop her lover's wedding.
Biographical film of Sister Dulce, who, in life, was called the “Good Angel of Bahia”, also nominated for the Nobel Peace Prize and canonized by the Catholic Church. Contemplating from the 1940s to the 1980s, the film shows how the Catholic nun faced an incurable respiratory disease, machismo, the indifference of politicians and even the dogmas of the Church to dedicate her life to the care of the miserable, leaving a legacy that continues today.
Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.
The film surrounds a misunderstood event that ends up changing completely the lives of the characters.