FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...
A man has been in prison for sixteen years after killing of his wife. Now he seeks to create a new life, where he only finds warmth and fellowship with Turkish immigrants. He will also try to come to terms with the daughter who hates him. Denmark's submission for the Academy Award for Best Foreign Language Film in 1986.
The television series was based on a play by Danish author Bjarne Reuter. In 1984 Reuter published his collection Tre skuespil ("Three Plays"); a collection containing also En dag i Hector Hansens liv ("A Day in the Life of Hector Hansen") and Kom der lys i neonrøret, gutter? ("Was There Light in the Neon Tube, Boys?") – in addition to Busters Verden.
From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).
Filmen er en fortsættelse af Hold fingrene fra mor. Dansk folkekomedie fra 1951. Berthe Quistgaard og Helge Kjærulff-Schmidt har hovedrollerne i dette dejlige kærlighedsspil. Lulu Vänner står for at skulle gifte sig for fjerde gang. Hun er mor til fire med tre forskellige mænd, men måske er fjerde gang lykkens gang. Selvom børnene godt kan lide Lulus tilkommende, John Carstensen, er de ikke vilde med tanken om giftermål.
Den midaldrende manufakturhandler Jens Steen er på vej til sit sommerhus ved Vestkysten for at slappe af. Helt alene. Imens er 20-årige Else Petersen på spanden - og hun vejrer en ferie med alt betalt. Med klassisk kvindelist fedter hun sig ind hos Jens Steen, der bliver besat af hendes skønhed og ungdom. Men da den lokale, jyske cykelmekaniker skruer op for charmen, kommer der kurrer på tråden. Og inden længe har Jens Steen en skandale på hånden, som han kun kan gøre ét for at afvige Selveste Bodil Ipsen instruerede i 1944 et af den danske filmhistories få film-noir dramaer. Besættelse er en fremragende film om følelsernes yderpunkter og tilværelsens ulidelige lethed.
Under byens tage går livet sin brogede gang. Det veksler med tårer og smil, med lykke og sorg. I kunstner-restauranten "Mona Bar" i indre by fungerer den tidligere model Mona Frank som kunstnernes gudinde. Hun hjælper både med penge og hjertesorger. Mellem de mange kunstnere har Niels Brandemose sit eget ansigt. Han er for nylig kommet til byen for at gå på Akademiet, og hele hans higen og lyst står til at blive maler.